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1

BOX GRAVE OF THE GLOBULAR AMPHORA CULTURE IN KOLONIA DEPULTYCZE NOWE, SITE 12, CHELM COMMUNE, CHELM DISTRICT, LUBLIN VOIVODESHIP

100%
Bronicki A.
Sprawozdania Archeologiczne
|
2007
|
vol. 59
181-212
EN
The author presents the Globular Amphora Culture box grave in Kolonia Depultycze Nowe in the Eastern Poland (Eastern Lublin Region). The grave represents the Podolia type. It contained uncomplete rests of one adult man. The equipment consisted of amber's beads (6 pieces), one retouched shaving of flint of the Volhynia raw material, one tool of the boar's fang, fragments of one or a few vessels and 3 fragments of cattle bones. The object was robbed in the indefinited past. The analysis of the construction and contents allow connecting it with the Eastern Lublin group. The grave was built about 2500 BC.
2
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CULTURE AND IDENTITY IN POLAND'S EASTERN BORDERLAND (Kultura i tozsamosc wschodniego pogranicza Polski)

100%
Szwed R.
Sprawy Narodowościowe
|
2010
|
issue 36
51-76
EN
The article deals with the compound nature as well as the territorial, political and cultural diversity of eastern Poland. Particular emphasis is put first on the historical rivalry of the Poles and the Russians, who both had strong national cultures and the will to exert great influence on the identity assumed by the population of eastern Poland. This political rivalry was accompanied by cultural rivalry. It was all later summed up in the unique cultural heritage and social and cultural separateness of the region. Today this region is composed of compact settlements of Lithuanians, Belarussians, and Ukrainians. The author discusses in detail the specific designates of the area still existing in its architecture, and in the languages and ethnic identity of the local people. His conclusion is that what we have here is not just one borderland of eastern Poland, but several different borderlands. Local buildings, dialects and local feelings of identity cannot be currently understood without narrations about their past, as well as a cultural revitalisation. Only then can the culture and identity be regained in the eastern region of Poland.
3

ПАРАЛИТУРГИЧЕСКАЯ РУКОПИСНАЯ ТРАДИЦИЯ В СОВРЕМЕННОМ ФОЛЬКЛОРЕ КОНФЕССИОНАЛЬНОГО ПОГРАНИЧЬЯ

88%
Moroz A. B.
Slavica Slovaca
|
2020
|
vol. 55
|
issue 3
333 - 345
EN
The article discusses the content and language of the collection of paraliturgical hymns compiled by a resident of the village of Krywiatycze (Bielsk region, Podlasie province) in the period form 1950 until beginning of XXI century. The collection represents the tradition of handwritten bogoglasniks (hymnbooks), widespread in the area of ethnoconfessional contacts of Catholics and Orthodox or Roman Catholics and Greek Catholics, i.e. the zone of Eastern Poland and Slovakia, as well as western Belarus and the Carpathian Ukraine. The considered collection of songs, like many of the bogoglasniks, contains texts of different times of creation - from the XVIII to the middle of the XX century - and in different languages: Russian, Ukrainian, Church Slavonic, as well as in Russian or Ukrainian with a noticeable amount of Church Slavonic and Polish lexical and grammatical borrowings. The graphics of the manuscript collection in question imitate Church Slavonic. The compiler of the collection successively changes spelling standards, reflecting the phonetics of its own Belarusian dialect of Podlasie.
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