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EN
The article deals with the main achievements of development of the Ukrainian, Russian and Polish ethnolinguistic studies and of folklore language research in the context of ethno-linguistics.
Slavica Slovaca
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2017
|
vol. 52
|
issue 2
122 – 132
EN
The article analyses the pre-Slavic and Carpathian lexicon, borrowings of different times and specific terms in Moravian terminology of the mythological characters, considering the all-Slavic background. Based on the comparison and confrontation of demonological vocabulary and beliefs of the Moravian and Moravian-Silesian ethnographic regions with the Czech and Slovak regions, the isoleks and isodoxes connect or separate these three closely related West Slavic regions, and partly continue in Slovenian and Croatian dialects.
Slavica Slovaca
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2017
|
vol. 52
|
issue 2
103 - 109
EN
The article is devoted to the study of the traditional culture of the Old Believers residing in Bulgaria in the village Tataritsa (Southern Dobruja). The author analyses peculiarities of the folklore tradition and the Bulgarian influence on it as well as the ceremonial lexis and terminology; archaic features which remain in the ceremonies are also elucidated. Particular attention is paid to the popular cult of St. Nicholas.
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Čamara v evropské kultuře (etnolingvistická studie)

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EN
The garment known in Bohemia as “čamara” has been documented since the High Middle Ages in the European culture of clothing; its roots date back to Oriental civilizations. In European languages and their dialects, there are lots of terminologically relative modifications relating to the garment in question. This garment found its way into the culture of clothing of several continents gradually; it was worn by members of all social classes – as a part of folk costumes, feudal lords´ clothes, dress and jerkins of church dignitaries within both the Catholic and Protestant environment; in many places, it has survived in different forms until today. Although in particular cultures and periods čamara differs in the cut and applications, it has always kept its function as an overcoat. The material shows notable identities as well. Mostly the garment is made from the fabric of animal origin – silk, wool, hair, or fur. The name “čamara” might be derived from the name of sheep or goat fur, which occurs in the languages in Near East, Northern Africa, and South Europe. Polish word czamara from the turn of the 18th and 19th centuries shows the influence of especially Hungarian and Oriental environment. These czamaras were a significant source for the Czech designers of national formal dress. The kontinuity of this garment can be traced back to the Renaissance fashion in Italy and Spain.
EN
This paper examines the linguistic image of the word “matka” (mother) in Slovak and its profiles. Theoretically, the paper is based on the principles of Slavic ethno-linguistics, and the examination of the Slovak linguistic image of mother relies on available relevant linguistic and empirical data. The analysis of linguistic data includes an examination of the lexical meaning captured in explanatory dictionaries, an examination of images of mother in Slovak phraseological units, as well as of the etymology of the lexeme “matka”. The empirical data was collected via questionnaire, and the paper both evaluates and correlates it with linguistic image of the word “matka” in Slovak. Finally, the paper enumerates individual profiles of “matka” in Slovak.
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