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Gustaw Herling-Grudziński Dnevnik pisan noću (ruski za logor, engleski za rat, italijanski za tuđinu, poljski za noć). Ne prevoditi da bi se razumjelo

100%
Ljevo-Ovčina A.
Przekłady Literatur Słowiańskich
|
2019
|
vol. 9
|
issue 2
219-234
EN
Literature may stand in opposition to any theory, and so, even those theories which are marked by conspicuous theses, hardly provide readers with sufficient, compelling interpretations. Gustaw Herling-Grudziński in his Diary Written at Night assumes the reader’s vantage point. He writes of what he sees, reads, and what he can remember, but also of what is really important. In the Diary we may witness a Pole who, despite being an outstanding intermediary, does not take liberty to explain in order to elucidate new things, but merely reads and comprehends the world, approaching reality also by means of languages and cultures through which Goodness is expressed.
PL
Literatura może pozostawać w opozycji do każdej teorii, tak że nawet te teorie, które odznaczają się wyraźnymi tezami, nie dostarczają często wystarczających interpretacji i nie są w stanie przyciągnąć czytelnika. gustaw Herling-Grudziński Dziennik pisany nocą pisze z pozycji czytelnika. Pisze o tym, co widzi i czyta, o tym, co sobie przypomina, a także o tym, co jest naprawdę ważne. W Dzienniku widać Polaka, który będąc wybitnym pośrednikiem, nie tłumaczy, aby przybliżyć innym coś nowego, lecz czyta i pojmuje świat, zbliżając się do rzeczywistości także przy pomocy języków i kultur, poprzez które wyraża się dobro.
DE
Literatur kann in Opposition zu jeder Theorie stehen, sodass sogar diejenigen Theorien, die sich durch klare Thesen auszeichnen, oft keine ausreichenden Interpretationen liefern und den Leser nicht anziehen können. gustaw Herling-grudziński schreibt sein Tagebuch bei Nacht geschrieben aus der Sicht des lesers. er schreibt darüber, was er sieht und liest, woran er sich erinnert sowie darüber, was tatsächlich wichtig ist. Im Tagebuch kann man einen Polen sehen, der als hervorragender Mittler nicht erklärt, um anderen etwas neues näher zu bringen, sondern er liest und begreift die Welt, indem er sich der Realität auch mit Hilfe von Sprachen und Kulturen nähert, durch die das Gute zum Ausdruck kommt.
2
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Spaces of Meanings and Translators’ Identities

86%
Lewandowska-Tomaszczyk B.
Lublin Studies in Modern Languages and Literature
|
2020
|
vol. 44
|
issue 1
DE
Der Artikel enthält das Abstract ausschließlich in englischer Sprache.
EN
The focus of the paper is the analysis of translators’ identities as expressed in Polish-to-English and English-to-Polish translations understood in terms of informed choices from spaces of meanings. The first part of the paper deals with the relation of approximate correspondences between thought and reality on the one hand, and between thought, image, linguistic system and cultural emotional type on the other.  The concept of semantic approximation in communication, introduced in Lewandowska-Tomaszczyk (2010, 2012) is shown to be conditioned by cognitive categorization problems of the language user, as well as a conscious  choice of the syntactic structure and meanings in discourse. The conscious choices from meaning spaces are motivated by the translator’s subjective intentions, as well as constraints imposed by the Target Language systems (displaced equivalence patterns), limitation on the translator’s linguistic repertory  and by Source Culture and Target Culture models and conventions. In the second part the study an interpretation is proposed of semantic and cultural SL and TL similarities, meaning displacement and reconceptualization in monolingual and intercultural communication and translation to account for the translator’s linguistic and cultural identity dynamics, with a varying emotional message. It is illustrated by examples of Polish-to-English and English-to-Polish translations.
FR
L'article contient uniquement le résumé en anglais.
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