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1

THE FOREST - THE HOME (Las dom)

100%
Konieczny K.
Konteksty - Polska Sztuka Ludowa
|
2010
|
vol. 64
|
issue 2-3(289-290)
304-309
EN
The author - a naturalist and ornithologist - poses the question: 'What is a true forest? Whose home is it? ' and replies: 'The forest is one of my homes, a place where I discover everything that I cannot find in city shop windows. The forest is the home of my thoughts about those aromas, flavours, imagery and people'.
2
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Dva životy vsi v přemyslovském loveckém hvozdu. Bratronice v raném středověku

61%
Ježek M.
Historická geografie (Historical Geography)
|
2012
|
vol. 38
|
issue 2
239-251
EN
The article considers the importance of the royal hunting forest in the vicinity of the Křivoklát kastle in the medieval period and the changes in its utilization. Special attention is devoted to the settlement area that originated in the 12th century and the local villages, which generally became extinct in the course of the following century. The evaluation of the archeological finds from one of these settlements poses the question of the social status of its inhabitants and at the same time uncovers a source of errors in the dating of local pottery, which served as the basis for the archaeological opinions about the development of the royal castles in the region.
3
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Krajina a příroda ve vnímání a myšlení středověkého člověka

61%
Šimůnek R.
Historická geografie (Historical Geography)
|
2009
|
vol. 35
|
issue 1
95-146
EN
The objective of the paper was to create as komplex as possible picture of how medieval people perceived and saw the surrounding landscape and its individual components and to suggest the ways of contemporary (partial) reconstruction of the appearance of the medieval landscape. In order to achieve the objektive of the paper, written, iconographic and archaeological sources were used and partly also results of natural science research were taken into consideration.
4
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More Than a Story: The Two-dimensional Aesthetics of the Forest

51%
Dadejik O., Zuska V.
Estetika: The Central European Journal of Aesthetics
|
2010
|
vol. 47
|
issue 1
27-50
EN
This article presents a general conception of aesthetic experience built on an analysis of the relationship between the narrative and the ambient dimensions of the aesthetic value of a natural environment, the forest. First of all, the two dimensions are presented with respect to the possibilities and problems raised by distinguishing between them. Next, the possibilities of their relationship are analysed and it is argued that they are strongly complementary. This complementarity becomes the core of the proposed conception of aesthetic experience, which can explain the difference between the aesthetic and the non-aesthetic, and can also provide an answer to the question of the non-reductive differentiation between the aesthetic experience of nature and the experience of a work of art. The conclusion of the article is mainly concerned to eliminate one of the problems localized in presenting the ambient dimension (the ambience paradox), by means of Ricoeur's conception of the relationship between time and narrative.
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