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Ordalia nad nową filozofią. Jak Franciszek Bacon bronił niewinności naukowych rewolucjonistów

100%
Wewiór P.
Filo-Sofija
|
2009
|
vol. 9
|
issue 9
57-71
EN
The article concerns the 16th and 17th century epistemological controversy which existed between aristotelics, church authorities and innovatory scientists. Its purpose is to present the philosophical and legal reasoning of Francis Bacon, justifying the achievements of technical and scientific revolution.
2

THE STUDIO AS THE HOME OF THE ARTIST'S IMAGINATION (Pracownia jako dom wyobrazni artysty)

100%
Przybyl M.
Konteksty - Polska Sztuka Ludowa
|
2010
|
vol. 64
|
issue 2-3(289-290)
188-190
EN
The author - a painter of the Imaginary Portrait of Francis Bacon. Studio - describes his direct contact with the canvases of Francis Bacon. This meeting not only 'opened his eyes' to purely painterly questions, but also made it possible to establish the symbolic relations between the studio - the artist's workplace and his imagination.
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