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VZŤAH VEREJNEJ MIENKY A NARATÍVNEHO PREHOVORU V PRÓZE KÁLMÁNA MIKSZÁTHA

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Gintli T.

Slovenská literatúra (Slovak Literature)

2017

vol. 64

issue 1

63 – 72

Anecdotal narration outlived the 19th century in Central Europe and its new forms lead to some of the definitive works of modern literature, as Hašek’s world renowned Švejk proves. Anecdotal narratives from the 19th century were governed by collective systems of values and thus did not conform to the more individual outlook of modernity. Thus separation from these collective outlooks seemed to be a requisite for the continuation of the anecdotal tradition. The emblematic figure of the 19th-century anecdotal narration in Hungary was Kálmán Mikszáth. The study examines the hidden narrative methods that allow the narrator, and the implied author to move away from the common opinions they seemingly uphold in Mikszáth’s works. The paper concludes that those of Mikszáth’s narrative that turn away, or simply keep a distance from the common opinion paved the way for the modernisation of anecdotal narrative forms in Hungarian literature.

„Vícehlasí“ v českých lidových písních: několik textovělingvistických sond do jejich textury

58%

Daneš F.

Slovo a slovesnost: časopis pro otázky teorie a kultury jazyka (Slovo a slovesnost: A journal for the theory of language and language cultivation)

2012

vol. 73

issue 4

312-324

This paper demonstrates the mutual relations between the various “voices” in Czech folk songs and the way in which these voices can be identified. The introductory section characterizes the specific features of the songs: the concision and condensation of their structure, as well as their emotionality of expression. The second section is devoted to the analysis of a selected corpus of folk songs from the perspective of heteroglossia. Their texture appears as a net of relations and functions which operate on different levels, stand in mutual complementarity, partly overlapping, and show differing relevance. Using methods of text linguistics, the author concentrates on two relations and functions – speech acts and compositional functions – as well as personal attitudes. The analysis focuses on utterances with the communicative function of appeal, i.e. on the interrogative and addressing turns which are quite frequent in Czech folk songs, on their interactive structure and modes of direct and indirect speech. The author shows that the song genre has two faces: it is a compact combination of verbal text and its musical part (the tune) which may appear to be uneven in their mutual relations. The last section deals with the phenomenon of intertextuality in the song structure.

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1 Slovenská literatúra (Slovak Literature)

1 Slovo a slovesnost: časopis pro otázky teorie a kultury jazyka (Slovo a slovesnost: A journal for the theory of language and language cultivation)

1 2017

1 2012

1 Daneš F.

1 Gintli T.

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VZŤAH VEREJNEJ MIENKY A NARATÍVNEHO PREHOVORU V PRÓZE KÁLMÁNA MIKSZÁTHA

„Vícehlasí“ v českých lidových písních: několik textovělingvistických sond do jejich textury