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EN
This paper offers corrections and new readings to names found in eleven inscriptions originating from Faras. Inscriptions were discovered at different periods, ranging from the visit of Karl Richard Lepsius in 1844 to the rescue excavation by the Polish archaeological mission of Kazimierz Michałowski in 1961–1964. The material covers different types of sources (epitaphs, visitors’ inscriptions, subscriptions, and an owner’s inscription) in three languages (Greek, Coptic, and Old Nubian) and spans roughly the whole Christian period in Nubia, from the seventh to the fourteenth or even fifteenth centuries. The corrections include both ‘cosmetic’ improvements in reading (e.g. from the form ⲁⲛⲁⲛⲉ to ⲁⲛⲁⲛⲏ) as well as identification of ghost-names (e.g. the highly unusual name Theoria, which is in fact a misreading of Theophil).
EN
Re-edition of a twelfth-century epitaph in Greek (Turin, Museo Egizio, Cat. 7142), formerly attributed to a bishop of Faras in Nubia. In addition to presenting a new text, based on autopsy, the article discusses the ownership of the monument and advocates a new understanding of the linguistic and textual form of the epitaph.
EN
The present paper analyses an Old Nubian inscription from the Faras Cathedral, containing a curse with a reference to Col 1:13. The publication gives a description of the inscription, a transcription with critical apparatus, and a grammatical and general commentary on the text.
EN
The present paper aims at analysing two inscriptions from the Faras Cathedral. Both contain prayers addressed to God by certain individuals. The first of them is in Greek and is modelled on Ps. 85:1–2; the second is an original composition in Old Nubian with information about the protagonist and the author in Greek. The publication gives the description of inscriptions, transcript of texts with critical apparatus, translation, and commentary elucidating all significant aspects of the texts.
EN
In Christian wall-paintings in Nubia a recurring theme is the struggle between Good and Evil. In this article an overview is given of the various ways in which Evil is depicted or personified, ranging from animals to humans and the hybrid ways in which Satan and his helpers are represented. These different ways have been inspired by sources from a canonical biblical, apocryphal and mythological character.
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