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Motivy a témata stáří a smrti v básnickém a prozaickém díle Františka Hrubína

100%

Málková I.

Slavica Wratislaviensia

2016

vol. 163

557-565

The article goes back to the prosaic and the poetic work by František Hrubín. The essay recalls poetry and segments of prose texts. Monitors the motifs and themes of old age and death. It quotes and interprets the verse, dominated by themes of time, aging, age as of a man from birth to death. Significant contrast is a man-child, an old man and a boy. We recognize the weight of the race, it determines the importance of grandfathers, fathers and grandsons. Thedeath of grandfather determines the lives and values of grandson and of the young man. Aman becomes a father, a man becomes a grandfather, a man remains forever a boy — are also determining the transformation work by František Hrubín. Old age and death are enduring a full part of human life.

Cтатья возвращается к поэзии и к прозе Франтишка Хрубина, напоминает стихи ипрозаические тексты, для которых центральными мотивами становятся старение и смерть. Мониторирует восприятие времени Хрубина, созревания, старения, возраст постепенной продолжительности человека от рождения до смерти. Цитирует и интерпретирует стихи, вкоторых преобладают темы времени, старения, старения — постепенной продолжительности человека от рождения до смерти. Значительные контрасты: человек–ребенок, старик–мальчик. Обнаружив вес семье, она определяет важность дедов, отцов и внуков. Смерть деда определяет жизнь внука имолодого человека. Человек становится отцом, человек становится дедушкой, человек навсегда останется мальчиком. Старость и смерть переживaют полнyю часть человеческой жизни.

„Nerozlišuji v tvorbě věci drobné a velké“

71%

Kordík P.

Slovo a smysl - Word & Sense

2016

vol. 13

issue 26

26-53

This study yields an analysis of one of the most distinctive compositions from the composer Miloslav Kabeláč (1908–1970) for children’s choir and piano — Blue Sky (1950). One’s attention focuses above all on the vocal sound, on the elemental musical morphology and its impulses, which on the one hand stands the load-bearing constructions of Kabeláč’s compositions (which are built upon continuous planes and musical units), and on the other hand, these elements shape and define each individual song. Kabeláč outlines Hrubín’s verse (from the collection Blue Sky, 1948, which uses pictures from Josef Čapek) through the elemental nature of monorhythmic structures and in a more or less unvarying vocal space. Despite this, however, each song has its own specific traits and pronounced character. The elements of play, which this analysis will attempt to express and within which are found various deep dimensions of Kabeláč’s conception of the work as a whole, are mutually related structures of joking, playful puns through lyrics or vice versa through more dramatic position to a decidedly contemplative position, an expression of the naturalness of the world of children followed by a return to the world of adults.

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1 Slavica Wratislaviensia

1 Slovo a smysl - Word & Sense

2 2016

1 Kordík P.

1 Málková I.

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Motivy a témata stáří a smrti v básnickém a prozaickém díle Františka Hrubína

„Nerozlišuji v tvorbě věci drobné a velké“