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Dvakrát dvě se nerovná čtyři

100%
Olšovský M.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2015
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vol. 52
86-91
EN
In modern literature appears often motif of „two times two does not make four“ which is based on Dostoyevsky’s Notes from the Underground. Polish decadent writer Stanisław Prybyszewski added to this absurd equation the result: two times two does make four but always more than the original product. This absurd equation in the modern narrative manifests itself as maelstrom of reality, reminiscent of Deleuze’s plane of immanence. Modern narrative creates many planes, which resembles a swarm swarming, when each part refers at the same time to another plane of reality. Through this absurd equation we can understand also Deleuze’s terme becoming. This absurd equation can be perceived as a metaphor of modern reality and contemporary narrative.
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About Some Consequences of Affective Rejection in Cultural Studies

88%
Myrdzik B.
Annales Universitatis Mariae Curie-Sklodowska, sectio N – Educatio Nova
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2017
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issue 2
EN
The text is devoted to affective repertoire in cultural studies. The author discusses one of the many effects (B. Massumi) in it and signals its consequences in the following topics: the subject’s formation, theories of body and emanation, political and critical theories, queer, reflections on melancholy and trauma, affect and memory. The interest in affective rejection was disappointing with the current research methodologies inspired by the linguistic turn of the reading methods, the analysis of works of art, epistemology, politics, etc. At the end of the text the author draws attention to the positive results of the new methodology as well as to possible threats.
PL
Tekst jest poświęcony zwrotowi afektywnemu w badaniach kulturowych. Autorka referuje w nim jedno z wielu ujęć afektu (B. Massumiego) i sygnalizuje jego konsekwencje w następujących zagadnieniach: sposobie formowania się podmiotu, teoriach dotyczących ciała i ucieleśnienia, teoriach politycznych i krytycznych, queerowych, refleksji o melancholii i traumie, afekcie i pamięci. Na zainteresowanie zwrotem afektywnym wpływ miało rozczarowanie dotychczasowymi metodologiami badawczymi inspirowanymi zwrotem językowym w sposobach lektury, analizach dzieła sztuki, epistemologii, polityki itd. W zakończeniu artykułu autorka zwraca uwagę zarówno na pozytywne rezultaty nowej metodologii, jak i na możliwe zagrożenia.
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