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Sedm kráčejících mužů a pohyb hmoty sochy

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The study deals with a walk as a characteristic movement of sculpture. It interprets a walk as a synthesis of gestures. It does so through the centuries from Antiquity - Apollo from Piraeus - through the Middle Ages, Baroque period and 19th century towards a modern art, using the method of formal analysis and finding semantic results within wider art historical contexts.
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