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1

MY HOME (Mój dom)

100%
Rodowicz T.
Konteksty - Polska Sztuka Ludowa
|
2010
|
vol. 64
|
issue 2-3(289-290)
74-77
EN
Tomasz Rodowicz, a former member of the Centre for Theatre Practices 'Gardzienice' and today the chairman of the' Chorea' theatrical association, speaks about his experiences of the home. The presented reflections concern primarily the expedition made in 1982 to Lapland together with the Gardzienice company, with some of the participants getting lost in the course of a foot trip across the vast empty spaces of the local tundra. The reader learns about a miraculously discovered hone - the small hut of a local reindeer farmer, the connected feeling of safety, and the fall of the Romantic myth of an artist compelled to struggle for survival. The author declares that all those experiences had to a great extent moulded his world outlook and the trends of his subsequent artistic quests.
2

THE PRIMATOLOGY OF THE THEATRE? (Prymatologia teatru?)

80%
Staniewski W.
Konteksty - Polska Sztuka Ludowa
|
2008
|
vol. 62
|
issue 1(280)
143-147
EN
According to the author sometimes we become hypnotised by a verbal construction. There is, for example, something seductive in the concept of the 'primatology of the theatre'. He finds himself attracted by this neologism, and the chance to make wider use of the term 'primatology', outside the established biological connotation. Traditionally, all problems connected with man are excluded from primatology, since they are the domains of anthropology. The criteria, however, remain blurred. Some primatologists claim that the anthropoidal species belong to the hominids. That which is primary, rudimentary and substantial in the articulation of man's ancestor testifies not only about the power of expression but also about the forms of the expression of the homo sapiens, such as laughter, which Dostoevsky declared is the most profound characterisation of the properties of the human being. Purportedly, certain animals are also capable of laughing. One could say that we are concerned with the 'simplicity formula' (cf. Hidden Territories), i. e. the behaviour and games that remain in the closest possible homeostasis with the natural environment. In the most recent issue of 'Proceedings of the National Academy of Sciences' (USA) American scientists propose the thesis that 'at the beginning there was the gesture and not the word'.
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