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Analiza fantazmatu „niewinnej ofiary” w „Lilli Wenedzie” Juliusza Slowackiego w swietle koncepcji Deleuze’a

100%
Shibata Y.
Pamiętnik Literacki
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2012
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vol. 103
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issue 3
EN
The article examines the role of the self-sacrificing heroine in Juliusz Slowacki’s Lilla Weneda through the concept of “contractual masochism” proposed by Gilles Deleuze. The French philosopher suggests that a masochist voluntarily enters into a contract with an offender in the hope of realizing a fantastic ideal until it falls into eternal suspension. The suffering and demise of the angelic Wenedes, brought about by the aggressive Lechites and representing the poet’s vision of the post-Uprising Polish nation, will be reread in the light of this masochistic mechanism. Noticeably, the innocent heroine Lilla, who in the place of King Derwid initiates the contract with Queen Gwinona and sacrifices herself to death, plays a crucial role of “preparing” the rise of the national avenger who constructs the ideal Polish nation only in the future. An analysis of Rhapsody I from King-Spirit through the concept of sadism allows for a further understanding of Slowacki’s phantasm. While seeing sadism as a symptom separate from masochism, Deleuze regards a masochist’s transformation into a sadist as a contingent phenomenon. The epic of the mystically inclined Slowacki justifies such observation. King-Spirit that inherits the national ideal of Lilla Weneda mobilizes the sadistic principle of cruel disorder. Desiring a free Poland, the poet formed the vision of the heroic sadist who perpetually creates a new world.
2

Słowa i pojęcia w ponowoczesnym obiegu kulturowym

100%
Miczka-Pajestka M.
Świat i Słowo
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2013
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vol. 11
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issue 1(20)
15-26
EN
In the article there has been considered a matter of perceiving and describing, by researchers of modernist culture, what is referred to as words. This issue was considered with particular attention to the cultural context. There has also been undertaken an attempt to answer the question: How do the words and concepts exist in the post-modern cultural circulation? There are indicated relevant to these considerations, concepts and theories of philosophy, including those by: Michel Foucault, Gilles Deleuze and Félix Guattari. An issue of relativity of a word is discussed as well, its relationships, especially the one relevant to thoughts. In addition, there has been also considered the problem of creating concepts and their functioning in reality as elements creating relationships between subjects and things and phenomena.
3

APORIE PODPISU: OPAKOVÁNÍ NEOPAKOVATELNÉHO U DERRIDY A DELEUZE

86%
Fišerová M.
Filozofia (Philosophy)
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2016
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vol. 71
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issue 6
450 – 461
EN
The paper questions the possibility of keeping the legal conception of signature as a constant and repeatable style of handwriting. By comparing double Derrida’s and Deleuze’s ontological semiotics, the author observes that while both thinkers agree that no writer is able to reach identity by repeating his/her traces, they disagree on the reason of this claim. In Derrida, signature is just an aporetical request of the law: in order to confirm our civil identity, we are obliged to repeat manually a trace that can’t be repeated manually. In Deleuze, repetition doesn’t produce identity, but difference: in every signing, the writer is becoming a signature. His/her handwriting is every time shaped by a singular affect, which alternates his/her previous traces. Contrary to Derrida, Deleuze admits a consistence of the author’s style, which is a sign of his continuous affective becoming, becoming-a-name, becoming-a-line.
4
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PRAGUE BEYOND KAFKA: RETHINKING MINOR LITERATURE THROUGH THE WORK OF JIŘÍ LANGER

86%
Sabatos C.
World Literature Studies
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2022
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vol. 14
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issue 2
85 - 102
EN
This article moves from their opposition of “major/minor” literatures to their “tetralinguistic” model of vernacular, vehicular, referential, and mythic language taking Gilles Deleuze and Félix Guattari’s theory of minor literature as a starting point. It presents the work of the polyglot poet and Hasidic scholar Jiří Langer to offer a multifaceted view of three distinct contexts: the theoretical discourse of minor literature, the literary milieu of interwar Prague, and the history of gay Czech and Jewish writing. Langer appears in Franz Kafka’s diaries and letters over a period of several years as a source of information on Jewish culture, as well as a personal contact to prominent rabbis from the east. Two decades later, Langer produced his own remarkable work in Czech, Devĕt bran (Nine Gates, 1937), a popular-scholarly study of Hasidic traditions based on his experience in the Galician town of Belz. Much of what is known today about Jiří Langer’s unconventional life comes from the memoirs of his brother František, published as a foreword for the English translation of the book. However, it was only in recent years that Langer’s Hebrew poetry has also become available to English-speaking readers, revealing his linguistic strategies that draw on mystical traditions in the attempt to form a modern synthesis of Jewish homosexual identity. Jiří Langer’s literary activity shows Prague as a site of self-definition through multilingualism, rather than the more familiar image of Kafka’s “deterritorialization”.
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