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Dzierganie wierszy. Salonowe błahostki czy bunt poetki? – na marginesie trzech utworów Gabrieli Puzyniny (1815-1869)

100%

Berkan-Jabłońska M.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

2012

vol. 18

issue 4

55-66

The article presents three little-known poems of the Lithuanian poet and diarist of the first half of the nineteenth century, Gabriela Puzynina. The seemingly trivial subject related to knitting needlework and conventional form of the poems gain a new value, if considered in the context of sociology and anthropology literature. The analysis, beyond the traditional genre study, are subject to the following issues: the poet as a distinct entity and her membership to women’s environment, the process of building the women’s identity, everyday life and its literary reflection, material culture in the comparison with the anthropocentric approach of the past. There is also raised a question about the way of reception such an occasional literature today. According to the author of the article, reading Puzynina’s poems only as “the literary trifles” wrongfully condemned them to oblivion, yet they are interesting and credible testimony of historical time and a medium for exploring the individual human life from the past.

Polskojęzyczny wiersz Kraków Adeli z Ustronia jako klucz do ustalenia autorstwa poematu Macocha

51%

Багдановіч І.

Studia Białorutenistyczne

2015

vol. 9

This article is the first literary analysis which shapes the specifics and means of poetics in the poem Krakow. The manuscript, in which the author used the pseudonym Adel, dates back to 1850. It was placed in the famous manuscript along with the well-known Belarusian anonymous poem Stepmom. The nature of artistic means used in the poem Krakow, suggests, that the real author of this work is the well-known writer Gabriel Puzynya (1815 – 1869). This conclusion confirms the author’s earlier statement that G. Puzynya is the most likely the author of the Belarusian poem Stepmom.

Artykuł prezentuje pionierską analizę literaturoznawczą środków wyrazu artystycznego i obrazowania poetyckiego wiersza Kraków, którego rękopis datowany na 1850 rok, podpisany pseudonimem Adela, został odnaleziony w jednej obwolucie z rękopisem znanego anonimowego poematu Macocha. Środki artystyczne wiersza Kraków, a także poematu Macocha potwierdzają tezę, że autorem obu utworów jest znana w owym czasie pisarka, Gabriela Puzynina (1815–1869).

У артыкуле ўпершыню праводзіцца літаратуразнаўчы аналіз вобразнай спецыфікі і сродкаў паэтычнага майстэрства верша Krakow, рукапіс якога быў падпісаны псеўданімам Адэля, датаваны 1850 годам і змяшчаўся ў адным канвалюце з рукапісам вядомай ананімнай беларускай паэмы Мачаха. Характар мастацкіх сродкаў, выкарыстаных у вершы Кракаў, дазваляе меркаваць, што яго аўтарам з’яўляецца вядомая на той час пісьменніца Габрыэля Пузыня (1815–1869). Такая акалічнасць дадаткова абгрунтоўвае высунутае раней аўтарам дадзенага артыкула сцверджанне, што Г. Пузыня – найбольш верагодная аўтарка беларускай паэмы Мачаха.

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1 Acta Universitatis Lodziensis. Folia Litteraria Polonica

1 Studia Białorutenistyczne

1 2015

1 2012

1 Berkan-Jabłońska M.

1 Багдановіч І.

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Dzierganie wierszy. Salonowe błahostki czy bunt poetki? – na marginesie trzech utworów Gabrieli Puzyniny (1815-1869)

Polskojęzyczny wiersz Kraków Adeli z Ustronia jako klucz do ustalenia autorstwa poematu Macocha