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Roland Barthes: malarska retoryka Arcimbolda

100%
Malec I. M.
Estetyka i Krytyka
|
2009
|
issue 15-16
240-246
2
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Giuseppe Arcimboldo: maniera „widziana jako”

86%
Malec I. M.
Estetyka i Krytyka
|
2010
|
issue 17-18
97-110
EN
Mannerism and similarly the Renaissance has its impact on the development of the representational arts. The etymology of the name is connected with the word manner synonymous with the new style. Giuseppe Arcimboldo’s oeuvre exemplifies the style of mannerism in combination with the Renaissance idea of beauty. The mysterious paintings by the amazing painter were commonly admired and attracted many followers. His masterpieces were forgotten by the next generations and their rediscovery can be ascribed to surrealists. All Arcimboldo’s works, which obeyed the rules of bizarre Mannerist painting – multidimensional and surprising – are in accordance with Ludwig Wittgenstein’s aspectual seeing. The philosophical reflection on Arcimboldo’s painting is supposed to show a contemporary audience a new aspect of the Italian master’s works
3
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Giuseppe Arcimboldi – prekursor twórczości filmowej Jana Švankmajera

58%
Zmudziński B.
Estetyka i Krytyka
|
2016
|
issue 1(40)
105-126
EN
Artistic output of Jan Švankmajer, the Czech surrealist and author of object animations, was from its very beginning closely related to the painting and collecting activities of Giuseppe Arcimboldo – one of the most intriguing personalities of the 16th century Habsburg court, and the Emperor Rudolf II of the Prague’s Hradčany court in particular. The author of the article is primarily interested in the conceptual dimension of the painting works by the forerunner of Mannerism known for his concept of the object-subject (and micro-macrocosmic) harmony expressed in the idea of the universal dialogue. According to the Czech surrealist reinterpreting the achievements of his predecessor, such perception of the dialogue supersedes both contemporary aggressive conflict resulting in degradation of humanity and the destruction of the rudimentary dimension of the relation between a human being and the surrounding world.
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