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  1. 2 Acta Polono-Ruthenica

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  1. 1 2020

  2. 1 2014

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  1. 1 Kalita L.

  2. 1 Lenart A.

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„Jeruszalaim de Lite”. Obraz Wilna w opowiadaniu Grigorija Kanowicza Sen o Jeruzalem, którego już nie ma

100%
Lenart A.
Acta Polono-Ruthenica
|
2014
|
issue 19
87-97
EN
The considerations made ??in the article concern the image of Vilnius in the prose of Grigory Kanovich, a writer, who in all his previous works remains faithful to the Jewish Lithuania, which he remembers from his childhood. The story of Kanovich entitled Dream of Jerusalem, which no longer exists has been carefully analyzed. The post-war Jerusalem of North is undoubtedly the center of the Jewish ethnos, a mythical place, unique, admirable, but also a place of disappoint- ments, broken dreams, a city full of shed tears and marked by bloody events of the war. The theme of dream present in the work is at the same time longing for freedom, return to the ideal past, but also a symbol of fear and memory of the place which will never be the same again.
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Pani Katarzyna i inni. Wielokulturowe sąsiedztwo w opowiadaniach Grigorija Kanowicza Вильнюсский двор

75%
Kalita L.
Acta Polono-Ruthenica
|
2020
|
vol. Tom 3 Nr XXV
11-24
PL
Przedmiot analizy dotyczy trzech opowiadań Grigorija Kanowicza, którego głównymi bohaterami są Polka, Litwinka, Żydówka i Rosjanin, zamieszkujący wspólne wileńskie podwórko. Akcentuje się wielonarodowościowe sąsiedzkie relacje pomiędzy nimi, rozpatrywane w ramach kategorii „swojskości” i „obcości”, pokazanych przez pry-zmat emocji. Uwagę w tych relacjach zwraca dominująca rola Polki i języka polskiego w kontaktach sąsiedzkich, a następnie Żyda, który po śmierci protagonistki przejmuje rolę pośrednika w integracji między nacjami.
EN
The subject of this analysis are three stories by Kanovich, whose main characters are Polish, Lithuanian, Jewish and Russian, living in a common Vilnius yard. The multinational neighbourhood relations between them are emphasized, considered in the category of “familiarity” and “strangeness”, shown through the lens of emotions. Attention in these relations is drawn by the dominant role of the Polish woman and the Polish language in contacts between neighbours, and then the Jew, who after the death of the protagonist, takes over the role of an intermediary in the integration between nations.
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