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„Nie wierz tak niedorzecznej baśni” . O tożsamości postaci „Królewny Śnieżki” Roberta Walsera i Heinza Holligera

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Kornatowska B.
Poznańskie Studia Polonistyczne. Seria Literacka
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2022
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issue 42
171-184
EN
This article is devoted to the characters in Heinz Holliger’s opera Snow White (1998) based on Robert Walser’s dramolette (1901) of the same title. Taking into account the chronology of the plot, the analysis and interpretation focuses on the evolution of the relationships of the characters struggling with the baggage of a difficult past written in the Grimms’ fairy tale. Snow White, the Queen, the Prince and the Huntsman juggle with each other’s versions of events, swapping positions at the expense of the characters’ individual contours, succumbing to the changeability of their feelings and opinions, not stopping in their search for a post-tale identity which would allow them to coexist harmoniously. The discussion emphasises the psychoanalytical approach and criticism of language characteristic of the period in which the dramolette was written. The interpretation of the libretto is complemented by the presentation of selected musical aspects, corresponding with the character of Walser’s text and determining the final meaning of the operatic work.
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The ugly in fine arts. The sensory nature of terror in the tales of the Brothers Grimm

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Szwajkowska A.
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2017
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vol. 43
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issue 5
223-240
EN
The author, inspired by philosophical aesthetic reflection, presents one of the aesthetic qualities: ugliness. Based on the assumption that “Grimms’ Fairy Tales” directly reach the realm of the unconscious, utilising towards that end not only symbolic meaning, but also a wide range of operations through imagined sensory perception, she identifies in the texts such fragments of the stories which relate to specific sensations caused in the real world using physical stimuli. The analysis constitutes only a case-based introductory study of the issue of senses in literary texts. She does not focus on the tale as an independent existential creation, which carries a multitude of interpretative references and meanings, only the possibilities offered by the analysis of a work, which consists of a transfer of a literary description to the imagination of the sensory experience occurring (hypothetically) in the receiver’s imagination.
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