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KOMPILAČNÝ FILM A JEHO KONCEPT – PRÍPADOVÉ ŠTÚDIE

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Palúch M.

Slovenské divadlo (Slovak Theatre)

2020

vol. 68

issue 4

384 – 396

Using the example of three films spanning different historical periods, the study provides an analysis of the creative potential of a compilation film. In its first part, the study contemplates the juxtaposition of current events within the concept of a critical compilation film by Henri Storck Histoire du soldat inconnu [Príbeh neznámeho vojaka, 1932], while in the second part, the study scrutinises an avant-garde approach to the juxtaposition of archival materials employing the found footage concept of A Movie (1958), film by Bruce Conner. In its third part, the study provides an analysis of the juxtaposition of acted scenes as a principle of a successive narrative within the concept of the film Final Cut: Hölgyeim és uraim [Dámy a páni, finálna verzia, 201] by György Pálfi.

The Black Pearl in the Crown

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Kazana B.

Kwartalnik Filmowy

2008

issue 62-63

46-64

The author analyses the representation of British colonies in Africa in film. With great attention to detail, he presents the history of this topic, not only in British cinema, but also in Australian cinema (which doubtless is far more critical). He considers decade by decade, how the colonies were presented in film, with special reference to social sensitivity and awareness of the given era and ideology which defined various cinematic projects, but which were also reflected by them. In his analysis, the author also considers films by indigenous Africans and their insider's view of the history of their land, so as not to present only a one sided, outsider's view of the colonies.

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1 Kwartalnik Filmowy

1 Slovenské divadlo (Slovak Theatre)

1 2020

1 2008

1 Kazana B.

1 Palúch M.

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KOMPILAČNÝ FILM A JEHO KONCEPT – PRÍPADOVÉ ŠTÚDIE

The Black Pearl in the Crown