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Technological Exercises

100%
Dobkowski P.
Eidos. A Journal for Philosophy of Culture
|
2021
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vol. 5
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issue 2
78-87
EN
The paper aims at setting the problem of the relation between technology, and the individual within the framework of Pierre Hadot’s idea of spiritual exercises. It compares two rivaling views of technology that originated in the Weimar Republic in order to outline a problematic field for examining the present position of the individual and technology. As the approaches of Weimar philosophers call for an actualization, the conception of Michel Foucault’s technologies of the self is brought forth. In the conclusion of the paper, the need for contradistinction within the very notion of technology is stressed, in an attempt to incorporate the topical issue into Hadot’s theory of philosophy as a way of life.
2
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Five Principles of Philosophical Health for Critical Times: From Hadot to Crealectics

86%
de Miranda L.
Eidos. A Journal for Philosophy of Culture
|
2021
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vol. 5
|
issue 1
50-69
EN
In a world described or experienced as unfair, what can philosophical practitioners propose in order to help individuals and communities strive for a meaningful life? One answer, empirically informed by the author’s practice as philosophical counselor in therapeutic, self-care and organizational contexts, is five principles for the cultivation of philosophical health, namely mental heroism, deep orientation, critical creativity, deep listening, and the “Creal” (the creative Real as ultimate possibility). In the light of Hadot’s rediscovery of philosophy as a way of life and in dialogue with his reading of ancient philosophy, it is asserted that the embodied and socially embedded mind can, through these five principles or modalities, be prepared to maintain a pragmatic elevation of view and creative resilience in everyday events, especially in critical situations. This meta-analytic and meta-dialectic practice of philosophical health, termed “crealectics,” presupposes that we are of the same creative cosmological flesh (the Creal), and therefore we are bound to comprehend and care for each other philosophically.
3
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Philosophical Constraints on Normativity

72%
Margolis J.
Eidos. A Journal for Philosophy of Culture
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2019
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vol. 3
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issue 4(10)
101-113
EN
This essay is an exploratory reflection on a theme drawn from the work of Pierre Hadot and Juliusz Domański regarding “philosophy as a way of life.” I approach the matter from the naturalistic outlook of classic pragmatism and its own limitations. This approach stresses the possible improvement of the analysis of normativity by way of some neglected contributions regarding the nature of history and the evolution of Homo sapiens applied to the formation of the human self or person. I take Hadot’s proposal seriously, therefore, as contributing to a mature conception of philosophy. But I deliberately restrict my own conjectures to naturalistic constraints, which begins to suggest an enlargement of pragmatism itself and an assessment of Hadot’s Greco-Roman and Christian themes.
4
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Mutterings to the Wall

72%
Taylor K. C.
Eidos. A Journal for Philosophy of Culture
|
2022
|
vol. 6
|
issue 3
98-115
EN
This paper takes up Hadot’s call for more comparative work on Buddhism and Philosophy as a Way of Life by comparing Zen Master Hakuin Ekaku’s artwork Pilgrims with the graffiti artist Banksy’s The Street is in Play. Beyond the striking similarities in form and apparent tongue-in-cheek criticism of graffiti, this paper explains the context of Hakuin’s artwork and the text of his painting before exploring the importance of graffiti in the Platform Sutra of the Sixth Patriarch. I argue that by taking up Hadot’s call for more comparative work we find that Hakuin’s Zen bears fruitful points of comparison with Hadot’s account of philosophy as a way of life. Furthermore, a comparison of the two artworks of Banksy and Hakuin helps us better understand both figures via thematic elements of humor and socially disruptive writings.
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