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1

Litteraria w rękopiśmiennym inwentarzu ksiąg Krzysztofa Tomasza Drohojowskiego

100%
Barłowska M.
Rocznik Przemyski
|
2012
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vol. 48
|
issue 2: Literatura i Język
273-284
EN
Krzysztof Tomasz Drohojowski is known as a Calvinist grandson, who restored his antecessors tombs in Przemyśl cathedral. The anonymous list of book preserved in the manuscript BOss 229 I is also interesting document of his life (as Karolina Schuster has stated). The inventory consists of 526 elements, books were packed into 5 casks and ordered according to size. Typical descriptions are short and not precise, often fragmentary, they refer to prints and manuscripts. Litteraria were important part of the collection. Drohojowski posessed numerous works of classical literature (but opera by Hezjod et Homer in Latin translation) and many collections of humanistic Latin poetry. Some parts of the collection he inherited, it probably explains for example: three copies of Gofred, a collection of "old poems". Drohojowski was interested in occasional literature and emblematic books, especially catalogues of kings. The most often registered contemporary Polish poet is Samuel Twardowski. Hieronim Morsztyn, the most popular author of the beginning of the XVIIth century, is represented not only by his published romances, but also by "Manuskrypt wierszów Ks. Morsztynowy" (II, 4, 22).
2
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Recenzenckie zachwyty i niedyskrecje Seweryn Bączalski w roli krytyka Światowej Rozkoszy Hieronima Morsztyna

89%
Grześkowiak R.
Śląskie Studia Polonistyczne
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2015
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issue 1(6)
23-51
EN
In Old Polish literature, literary criticism was virtually unknown. In view of the scarcity of appraisals and reviews, a rhyming review written by a second-rate poet from the second half of the 17th century Seweryn Bączalski has extraordinary weight. In a poem Do tego, co już przeczetł, which crowns his 1608 collection of poems Przestrach śmiertelny, Bączalski evaluates the works of several poets from Cracow of that time, taking this opportunity to comment in great detail on Hieronim Morsztyn’s popular poem Światowa Rozkosz, published in 1606. The reviewer was riveted by an apparent clash: throughout the poem, Morsztyn enumerates multitudinous delights, only to unexpectedly deprecate in the ending their value when confronted with death and decay. This discrepancy hardly motivated in the poem and still attracting researchers’ attention, Bączalski motivates by a biographical key presenting Morsztyn as an inveterate womanizer who, finally, ends up ensnared by… syphilis. This experience allegedly changed the poet’s attitude towards carnal pleasures, and Światowa Rozkosz gave this existential discovery of his literary form.
FR
Le phénomène de la critique littéraire n’était pratiquement pas connu dans la littérature polonaise ancienne. Étant donné le manque d’opinions et d’élaborations à cette époque-là, la critique littéraire versifiée de Seweryn Bączalski, rimeur médiocre de la première moitié du XVIIe siècle, prend une importance extraordinaire. Dans le vers Do tego, co już przeczetł couronnant son recueil de 1608 intitulé Przestrach śmiertelny, Bączalski évalue la création artistique de quelques poètes créant à Cracovie, tout en analysant le fameux poème Światowa Rozkosz que Hieronim Morsztyn a publié en 1606. L’attention du critique littéraire vivant dans l’ancienne Pologne a été attirée par une contradiction nettement visible dans le poème mentionné ci-dessus : dans la majeure partie de l’ouvrage, l’auteur énumérait minutieusement de nombreux plaisirs pour finalement, et d’une façon inattendue, déprécier leur importance à l’égard de la mort et la putréfaction du corps. Bączalski explique cette divergence – motivée dans le texte d’une manière chétive et attirant jusqu’à présent l’attention des chercheurs intrigués – à l’aide d’une clé biographique, tout en présentant Morsztyn comme un dragueur incorrigible qui a été pris aux filets de la… vérole. Cette expérience a changé l’attitude du poète envers les plaisirs charnels, et Światowa Rozkosz a donné à cette leçon existentielle une expression littéraire.
3

NAZWY WŁASNE W BAROKOWYM ROMANSIE WIERSZOWANYM — W STRONĘ ANALIZY GENOLOGICZNEJ (NA PRZYKŁADZIE TWÓRCZOŚCI HIERONIMA MORSZTYNA)

88%
REJTER A.
Onomastica
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2014
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vol. 58
349-362
XX
PROPER NAMES IN THE BAROQUE VERSE NOVEL — TOWARD GENOLOGICAL ANALYSIS. BASED ON THE EXAMPLE OF THE WORKS OF HIERONIM MORSZTYN This article is an attempt to analyze proper names in the selected literary genre and conducted from the perspective of linguistic genology enriched with theoretical textual and stylistic reflection. The names in the Baroque verse novel, represented by four works of Hieronym Morsztyn, are an essential element of the construction of the text and an indicator of the genre style; furthermore, they can signal the foreignness of western models adopted in Polish literary works, and can also refer back to ancient heritage as an expression of European cultural heritage.
4

Językowa struktura klątw kochanek w XVII-wiecznych tekstach literackich

71%
Kowalczyk S.
Prace Językoznawcze
|
2021
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vol. XXIII/4
235–248
PL
Celem artykułu jest filologiczna analiza miłosnych klątw zawartych w polskich tekstach literackich z XVII w. inspirowana teorią aktów mowy (w tym performatywów i konstatacji) Johna L. Austina oraz pracami z zakresu klątwy ludowej Anny Engelking. Przedmiotem badań są wypowiedzi: Banialuki (romans baśniowy Historyja ucieszna o królewnie Banialuce Hieronima Morsztyna – 1650), Cyceryny (zbiór pieśni Roksolanki Szymona Zimorowica – 1654) oraz Pani (sielanka Odczary na Simonidesowe „Czary” Jana Gawińskiego – połowa XVII w.). Klątwy literackie są rozpatrywane zarówno w kontekście etnolingwistycznej struktury (obiekt – sprawca – wykonawca), sprawczej funkcji wypowiedzi, jak i imperatywów, składni, symboliki, etymologii.
EN
The aim of the article is to undertake philological analysis of love curses described in Polish literary texts from the 17th century. The analysis was inspired by the theory of speech acts (including performatives and constatives) by John L. Austin and works on the folk curse by Anna Engelking. The research centred on the following statements by: Banialuka (Historyja ucieszna o królewnie Banialuce [A Diverting Story about the Virtuous Princess Banialuka], fairy-tale romance by Hieronim Morsztyn – 1650), Cyceryna (Roksolanki [Ruthenian Girls], collection of songs by Szymon Zimorowic – 1654) and Pani (Odczary na Simonidesowe “Czary” idyll by Jan Gawinski – mid. 17th century). Literary curses are considered both in the context of the ethnolinguistic structure (object – perpetrator – performer) and the causative function of an utterance, as well as imperatives, syntax, symbolism and etymology.
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