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The Reflection of High Renaissance and Mannerism of the Works of Michelangelo Buonarroti in the Interpretation of Irving Stone in His Last Biographical Novel The Agony and the Ecstasy

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Kwiatkowska A.
Acta Neophilologica
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2013
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issue XV/2
139-148
EN
The article focuses on the artistic elements of Italian High Renaissance and Mannerism in the narrative structure of the biographical novel about Michelangelo Buonarroti, The Agony and the Ecstasy, by Irving Stone. The discussion of the above is limited to one selected aspect of narration, namely a description. The analysis includes ekphrastic passages referring to the most well known, monumental sculptural pieces by Michelangelo Buonarroti. The aim of the article is to establish the extend to which the literary descriptions form the novel by Irving Stone reflect the character and style of the 16th century sculptures of Michelangelo.
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Pomnik Jordanów w Krakowie. Problem datowania i autorstwa

100%
Kowalczyk J.
Biuletyn Historii Sztuki
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2012
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vol. 74
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issue 2
157-188
EN
The statue of Spytek Wawrzyniec Jordan and his family is located in the southern nave of St. Catherine’s Church in Cracow. He founded it for himself and the family. Spytek Wawrzyniec Jordan of Zakliczyn and Melsztyn, Cracow castellan, the first Senator in the Polish Kingdom, died on 11 March 1568. His monument is one of the most accomplished High Renaissance ones in Polish art. In the article, the dating of the statue of Jordans has been specified for a year before 1593 (on the grounds of the inscription on the tomb side). The attribution of the work to Santi Gucci is the result of its thorough analysis by the paper’s Author. The monument coincides with the first stage of Santi Gucci’s activity in Poland.
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