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EN
The paper explores the parodic and non parodic image of the collective identity in some exemples of 20th century and contemporary Spanish‑American fiction. From the middle of 19th century to the middle of 20th many essays and novels tended to reinforce the idea of a Latin American citizen rooted in the continental soil and ideologically independent both from the former metropolis and from United States. On the contrary, in the second half of 20th century, when the model of identity shifted from a set of idioscyncrastic and patriotic characteristics to a bunch of heterogeneous attributes, the Spanish American novelist began to include in their fictions an authocritic and ironic attitude towards Latin American cultural myths and stereotypes. The analysis takes into account authors such as Arturo Bryce Echenique, Roberto Bolaño, Edmundo Paz Soldán, Juan Villoro and Yuri Herrera.
EN
Theories are processes modelled by thought. When they evolve in time, they are transformed and become new theories. They may cross from one academic discipline to another, then open up to new areas of human knowledge, mixing together the humanities, art, science and even spirituality. The way they are modelled reveals their plasticity and their elasticity is tested in their potential for transfer from one field to another, while the different contacts they make and mergers they undergo generate a certain hybridity. Plasticity, elasticity and hybridity are the triad which makes the transfer of theories possible.
EN
Theories are processes modelled by thought. When they evolve in time, they are transformed and become new theories. They may cross from one academic discipline to another, then open up to new areas of human knowledge, mixing together the humanities, art, science and even spirituality. The way they are modelled reveals their plasticity and their elasticity is tested in their potential for transfer from one domain to another, while the different contacts they make and mergers they undergo generate a certain hybridity. Plasticity, elasticity and hybridity are the triad which make the transfer of theories possible.
EN
Aim of this article is to describe Public-Private Partnership institutions, as an alter-native method of performance of public tasks and to research of co-founding PPP from European Union’s resources in Poland, in budget perspective 2014-2020. Article shows the directions of government’s policy as an distributor of the funds, and influence of this policy on development of institutions of Public-Private Partnerships in Poland. Upon this example role of government as a subject of modern economy, which shapes basic legal- economics market mechanism, will be discussed. Connection of intersectional partnerships PPP types with Union’s Funds, is treated as a hybrid form of realization of public tasks. It is based upon support of investments for public purposes, with non-refundable financial support from UE’s budget. This method is broadly used and gaining popularity, and Poland became a leader of utilization of UE’s founds, as an alternative source of financing of public ventures realized under Public-Privet Partnership.
EN
The aim of the article is to discuss the problem of hybrid identity, as it is presented in Jakob Ejersbo’s “Africa-trilogy” (2009). As the methodological framework for the analysis serve some of the main notions borrowed from postcolonial studies (as hybridity and contact zone), as well as Zygmunt Bauman’s diagnoses on “the liquid modernity” (among others his understanding of identity and his tourist and vagabond metaphors). The latter ones indicate the universal dimension of Ejersbo’s prose, which until now has been read mainly from the postcolonial critique’s position and as a polemical comment on the Scandinavian self-understanding as a region, which has never been included in the colonial project and which sets an example on providing humanitarian aid.
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