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THEATRE IN THE CONTEXT OF POVERTY, POVERTY IN THE CONTEXT OF THEATRE. THE ISSUE OF POVERTY AND SOCIAL EXCLUSION DEMONSTRATED ON PSOTA [POVERTY], PRODUCTION OF PÔTOŇ THEATRE

100%
Knopová E.
Slovenské divadlo (Slovak Theatre)
|
2016
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vol. 64
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issue 3
260 – 280
EN
Pôtoň Theatre started out as an amateur ensemble, but over time, it has evolved into an independent professional theatre. Right from the outset, it has been operating in Levice region, in a nationally and denominationally mixed territory, rich in turning points in history and also in constant social changes which have had a profound impact upon the poetics of its theatre professionals and on its crucial themes. The ramifications of various reprisal measures (for instance, the so-called Beneš decrees) and the 20th century transformation processes (new stratification of society and a marked weakening of the farming life or centrally managed industrial life in the region after 1989) have dramatically and permanently changed the fates of the inhabitations of the region and their ordinary lives. Documentary-oriented form of the theatre with a distinct social message which is shaped in the process of own field research, has become a unique method of production of Pôtoň Theatre largely thanks to the environment, in which it is based.
2
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INTERPRETATIVE PROBE INTO CONTEMPORARY SLOVAK INDEPENDENT THEATRE. THEATRE PÔTOŇ: PASTORAL SYMPHONY

100%
Ballay M.
Slovenské divadlo (Slovak Theatre)
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2019
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vol. 67
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issue 3
258 - 271
EN
The text explores the work of the independent Theatre Pôtoň – the only professional theatre in Slovakia to reside in the countryside. Using an interpretative approach within the process of communication, the study presents the work of the stage director Iveta Ditte Jurčová who works in tandem with the dramaturge and script writer Michal Ditte. The authors put the elements of multiple genres and intertextuality in their productions, whilst also employing alternative methods to work with words and/or verbal component. The material presents dominant, constant features of their poetics through their latest production Pastierska symfónia [Pastoral Symphony] (2019).
3
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CROSS-CUTTING VIEW OF WARSAW INDEPENDENT THEATRE SCENE

86%
Timčíková Z.
Slovenské divadlo (Slovak Theatre)
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2020
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vol. 68
|
issue 3
233 – 266
EN
The study gives a picture of the contemporary independent theatre scene in Warsaw. On a representative sample of four independent theatres (Teatr Polonia, Klub komediowy, Teatr WARSawy, Komuna Warszawa), it illustrates the diversity of the operation and artistic orientation of theatres across an independent, non-institutionalised Warsaw theatre scene. On the basis of certain phenomena which have surfaced in selected theatres when it comes to their dramaturgy and internal organisation, in conclusion, the authoress marginally touches upon the similarities and differences between Polish (Warsaw) and Slovak independent theatre.
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