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Metaforyzacja lustra w cyklu Inny Lisnianskiej "Stare lustro". Próba kognitywnej analizy wybranych utworów

100%
Letka-Spychała O.
Acta Polono-Ruthenica
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2012
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vol. Tom 1 Nr XVII
81-91
EN
Inna Lisnyanskaya is one of the most popular contemporary Russian poetesses. She was born in Baku in 1928. In 1960 she moved to Russia and got married to a translator and poet Siemion Lipkin. She has penned many series of poems i.a. Do not just love, Rain and mirrors, At the edgeo f sleep. She was awarded the Poet Prize in 2009.Present article is devoted to the metaphorical representation of mirrors in Lisnyanskaya’s poems. The analysis is performed in the light of the cognitive poetics. The author is focusing on the cognitive theory about conceptual metaphors and prototype theory.
2
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Antynomia życia i śmierci w poezji Inny Lisnianskiej

80%
Letka-Spychała O.
Acta Polono-Ruthenica
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2010
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vol. Tom 1 Nr XV
77-87
EN
The article explores life and death antinomy in the Inna Lisnyanskaya’s poetry. The subject of this analysis is the series of poems Archivy published in 2006 in the magazine “Druzhba Narodov”. Characteristic element of the Lisnyanskaya’s poems is an archive which can be regarded as a main leitmotif. In the article particular attention has been paid to conceptual metaphors: DEATH IS AN ARCHIVIST, ARCHIVE IS HELL, LIFE IS AN ARCHIVE. The study is an attempt at cognitive analysis of the life and death antinomy.
3
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Metafora lustra w poezji Inny Lisnianskiej (na podstawie cyklu wierszy Старое зеркало)

80%
Nikadem-Malinowska E.
Acta Polono-Ruthenica
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2009
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vol. Tom 1 Nr XIV
159-166
EN
Metaphor, as a basic tool of our mind, allows us to tap the potential of a language grounding on the knowledge and imagination of its user; ascertain the new through the old and unknown through the known. Poetic metaphor, which is a carrier of information and tool of communication, is the object of this study. Poetry of Inna Lisnianskaya could be holistically treated as a metaphor of a mirror. The subject of this analysis is the cycle of poems Старое зеркало. Inna Lisnianskaya, by identifying living with being a living mirror extends the meaning of this metaphor to: I AM A MIRROR.
4
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Konceptualizacja słowa w poezji Inny Lisnianskiej (na podstawie cyklu wierszy Cлово без имени)

70%
Nikadem-Malinowska E.
Acta Neophilologica
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2012
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issue XIV/2
177-184
EN
The specificity of poetic language boils down to changing the meaning of words that have already been used many times. Starting from the basic level of a word categorization, a poet, thanks to subjective associations, knowledge and experience transforms them into a new quality characterized by semantic precision and emotional sophistication. The cycle of poems of Inna Lisnyanskaya Слово без имени (2007) is an example of such a conceptualization.
5
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Obrazowanie cienia w poezji Inny Lisnianskiej. Próba kognitywnej analizy wybranych utworów

61%
Letka-Spychała O.
Acta Neophilologica
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2012
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issue XIV/2
147-157
EN
Inna Lisnyanskaya is one of the most popular contemporary Russian poetesses. She was born in Baku in 1928. In 1960 she moved to Russia and got married to a translator and poet Siemion Lipkin. Her works tough upon many problems such as: abandonment, loneliness, longing for her homeland, unfulfilled love. The main objective of the article is to explore ontological, cognitive and structural metaphors and symbols connected with the image of shadow.
6
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Metafora snu w cyklu wierszy Inny Lisnianskiej Sny starej Ewy

61%
Nikadem-Malinowska E.
Acta Polono-Ruthenica
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2008
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vol. Tom 1 Nr XIII
307-318
EN
Inna Lisnianskaya’s writings, very private and intimate, often motivated with autobiographical reasons is saturated with universal truth about life. Lisnianskaya has created her poetic world on the basis of very strict and clear hierarchy of values. All of the problems of the mankind the poetess throw on her character who, with a great conscientiousness, carries her burden. The global responsibility she feels makes the linear world stop existing.In consisting of eighteen poems threnody series Inna Lisnianskaya experiences past and future in the presence by impersonating her character - ageing biblical Eve. The presence constitutes of her dreams. Dream is metaphorical by its nature. We do not treat pictures from our dreams literally. We analyze and interpret them no matter how real they are. A specific picture transferred from reality to a dream loses its connections with its context and become a polysemantic sign of another specific picture. In this way a dream manifests its metaphorical character.Metaphorical picture of a dream dreamt by lyrical I, created by Inna Lisnianskaya in the series of poems Сны старой Евы (Dreams of Old Eve), let the poetess for unique consolidation of emotions and reflections on life and death.
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