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Trzy cenzorskie recenzje tomu "Wszystko jest obok" Ireneusza Iredyńskiego

100%
Budrowska K.
Napis. Pismo poświęcone literaturze okolicznościowej i użytkowej
|
2015
|
issue 21: Sztuka tracenia, sztuka rezygnacji. Samoograniczenie i autocenzura
291-296
EN
The study presents unknown archives of the GUKPPiW [The Main Office of Control of Press, Publications and Shows]. The source materials indicate that when reading Ireneusz Iredyński’s first volume of verse in 1958, the censors formulated a multitude of unfavourable opinions not only about the given text but also about 'young' poetry in general. The artistic routes of the most outstanding post-war poetry generation, the so-called pokolenie "Współczesności”, developed under the hostile attitude of the censorship office.
2
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Ireneusz Iredyński and acedia

57%
Wroniszewski M., Wroniszewski M.
Ruch Literacki
|
2019
|
issue 3
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