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Norwid’s works in Ludwik Gocel’s collection

100%
Serwański J.
Studia Norwidiana
|
2019
|
vol. 37 English Version
181-198
EN
Ludwik Gocel (1889-1966) was an expert on the November Uprising and the creator of a large historical collection documenting this national liberation uprising. He was also interested in the biography of Cyprian Norwid and the reception of the poet’s work, some of which were part of his collection. Based, inter alia, on the materials from Gocel’s archive and his legacy, and the content of his letter of December 1957, this sketch discusses a fragment of the history of Norwid’s autograph of the poem Italiam!Italiam! The sketch outlines the circumstances in which Gocel obtained the poem for his collection in 1949, which after a few years, in 1957, he handed over to Fawley Court in England, where it supplemented the collection of Father Józef Jarzębowski, a Marian, expert on Norwid and collector of national memorabilia. The text also takes into account an important aspect of the cooperation between the two bibliophiles Gocel and Jarzębowski, owing to which Norwid’s manuscript has been preserved and today it is exhibited in the Museum in Licheń Stary. In addition, the article presents several other manifestations of Gocel’s interest in Norwid.
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Norwidiana w zbiorach Ludwika Gocla

100%
Serwański J.
Studia Norwidiana
|
2019
|
vol. 37
181-199
PL
Ludwik Gocel (1889-1966) był znawcą epoki powstania listopadowego i twórcą wielkiej kolekcji historycznej dotyczącej tego zrywu narodowowyzwoleńczego. Interesowała go również biografia Cypriana Norwida i recepcja dzieła poety, w swoich zbiorach miał norwidiana. W niniejszym szkicu, opierając się m.in. na materiałach z archiwum i spuścizny Gocla oraz treści jego listu z grudnia 1957 r., omówiono fragment losów autografu wiersza Norwida Italiam!Italiam! Przybliżone zostały okoliczności, w jakich Gocel pozyskał go do swych zbiorów w 1949 r., by po kilku latach, w 1957 r., przekazać autograf do Fawley Court w Anglii, gdzie wzbogacił on zbiory księdza Józefa Jarzębowskiego, marianina, znawcy Norwida i kolekcjonera pamiątek narodowych. Uwzględniony został także istotny aspekt współpracy bibliofilów Gocla i Jarzębowskiego na niwie kolekcjonerskiej. Dzięki niej rękopis Norwida został zachowany, a dziś eksponowany jest w Muzeum w Licheniu Starym. Ponadto w artykule przedstawiono kilka innych przejawów zainteresowania Gocla Norwidem.
EN
Ludwik Gocel (1889-1966) was an expert on the November Uprising and the creator of a large historical collection documenting this national liberation uprising. He was also interested in the biography of Cyprian Norwid and the reception of the poet’s work, some of which were part of his collection. Based, inter alia, on the materials from Gocel’s archive and his legacy, and the content of his letter of December 1957, this sketch discusses a fragment of the history of Norwid’s autograph of the poem Italiam!Italiam! The sketch outlines the circumstances in which Gocel obtained the poem for his collection in 1949, which after a few years, in 1957, he handed over to Fawley Court in England, where it supplemented the collection of Father Józef Jarzębowski, a Marian, expert on Norwid and collector of national memorabilia. The text also takes into account an important aspect of the cooperation between the two bibliophiles Gocel and Jarzębowski, owing to which Norwid’s manuscript has been preserved and today it is exhibited in the Museum in Licheń Stary. In addition, the article presents several other manifestations of Gocel’s interest in Norwid.
3
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Informacja o zbiorach dawnego Muzeum Księży Marianów im. ks. Józefa Jarzębowskiego w Fawley Court (Wielka Brytania) – obecnie w Muzeum im. ks. Józefa Jarzębowskiego w Licheniu Starym koło Konina

80%
Wrede M., Brynda M., Głowicka Z.
Z Badań nad Książką i Księgozbiorami Historycznymi
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2020
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vol. 14
|
issue 1
63-89
EN
History of the Museum of Marian Fathers, founded at the college for boys in Bielany, the district of Warsaw, reconstituted in the Fawley Court at Henley-on-Thames, Great Britain, and finally moved to the Shrine of Our Lady of Sorrows in Licheń Stary, is the key to understanding the content and organization of this collection. Patriotic, religious and educational aspects of the museums, its role for the Polish diaspora in Great Britain, and its depletion in the results of historical changes. Presentation of the collection content” museum objects – sidearm, sculptures, artistic fabrics, drawings and watercolors, paintings, graphics, commemorative items; book collection – books from the 19th and 20th centuries, journals, music prints, maps, and cityscapes. A more detailed presentation of the collection of early printed books, ephemera, and journals from the 19th century.
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