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EN
The article is an attempt to answer the question whether field trips can be considered to be rituals of passage. For this purpose the authoress uses a qualitative analysis of the following journals and memoirs: 'A Journal in the Strictest Meaning of the Word' by Bronislaw Malinowski, 'L'Afrique fantôme' by Michel Leiris, 'Tristes tropiques' by Claude Lévi-Strauss, 'Return to laughter' by Elenore Smith-Bowen and 'Reflections on Fieldwork in Morocco' by Paul Rabinow. The starting point for the deliberations is the classic rites of passage theory proposed by Arnold van Gennep and its interpretation in the spirit of symbolic anthropology as conducted by Victor Turner. We then encounter a short description of the nature of the intensive field studies and a brief review of the context in which the aforementioned journals and memoirs were written. The main part of the article seeks an answer to the question of whether the experiences of the researchers may show that the research in itself is a kind of initiation for them.
EN
The article has been written to commemorate the first decade of 'Rocznik Teologii Katolickiej' ('Journal of Catholic Theology'). The idea to start it emerged during the i rst months after the opening of the Chair of Catholic Theology in the University of Bialystok. It was then decided to base it on the existing scientific journal. The first volume, called 'Biuletyn Teologii Katolickiej' ('Bulletin of Catholic Theology') was a part of the 18th volume of 'Studia Teologiczne - Bialystok, Drohiczyn, Lomza' ('Studies in Theology - Bialystok, Drohiczyn, Lomza') in 2000. The next volume appeared separately, but still under the aegis of the 'Studies'. The 'Journal' became an independent magazine in 2002. Its aim is to present the Chair's publications, popularize theological science in Bialystok academic circles, cooperate with researchers in philosophy, arts and humanities and natural sciences and sharing experience with scientific centres home and abroad.
Sociológia (Sociology)
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2011
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vol. 43
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issue 5
584-603
EN
The following text sums up conclusions of the content analysis of the first Slovak sociological journal called Sociologicky Sbornik. The journal was published during a short period of time between the end of the Second World War and the rise of the communist regime in Czechoslovakia in 1948. The content analysis of the journal focuses in particular on the authors and thematic structure in the context of the production of other contemporary sociological journals in Czechoslovakia. Performed analysis shows that Sociologicky Sbornik created a publication platform for a group of sociologists different from those who published in Czech journals. In addition, the journal became a crucial component in forming the group's own sociological identity.
EN
(Polish title: Bibliografia artykulow w biuletynach i rocznikach Miedzywydzialowej Katedry Teologii Katolickiej Uniwersytetu w Bialymstoku w pierwszym dziesiecioleciu swego istnienia).
EN
The text addresses the profile and content of the Slovak Ethnology journal, with emphasis on the ethnic question in the years 2007-2011. In the introductory part the situation of Slovakia is contextualised, in terms of the information flow in world anthropological and folkloristic discourse. Subsequently the question is posed: who publishes in the journal, and what themes are addressed there? It is shown that the ethnic question has a very important role in terms of promoting the concept of ethnicity as a component of human identity. From the point of view of the orientation of content and themes, the journal receives a highly positive rating.
Filozofia (Philosophy)
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2022
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vol. 77
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issue 4
268 – 282
EN
Ideologically different alternative media define themselves in opposition to mainstream journalism, and attacks on the perceived lack of objectivity of its authors are especially common for them. This paper examines their role in the context of Habermasian concept of the public sphere and distinguishes between alternative media as institutions of the counter public or anti-public. It also presents a proposal for a typology of contemporary attacks on journalistic objectivity (emancipatory, postmodernist, populist) and analyses their main features in more detail. On the basis of standpoint theory, we conclude that members of counter publics, due to their strategic position in society, have a unique potential for constructive emancipatory critique, which can reveal that an apparently objective stance represents only the perspective of the dominant class. Concerning postmodernist and populist attacks, we, on the contrary, draw attention to the fact that these are purely antagonistic positions misused for political propaganda, especially by the representatives of the right-wing populism movements constituting an anti-public rejecting the norms of rational democratic discourse. Postmodernist critique describes objectivity as a myth and resigns on its pursuit in advance or makes demands for public broadcasting to present various perspectives without considering the criteria of truthfulness. Populist criticism of the alleged liberal bias of the mainstream media relies in turn primarily on evoking negative emotions, misinterpretations of various notions (e.g., censorship, fake news), and paranoid condemnation of elites or expert knowledge.
EN
The goal of this work is to follow both the persistence and the concrete transformation of ethnic and ethic-related stereotypes and their public representations in the processes of the Slovak nationalism in the multinational Hungarian Kingdom in the second half of the 19th century and the first decade of the 20th century. In our article we focused on the visual form of depicting representatives of collective (especially ethnic) identities. We worked on the assumption, that this visual form occupies a specific position in the process of spreading stereotypes and fixing them over time. Especially rewarding objects of investigation for such research are caricatures. As the source material we chose political caricatures published in the popular Slovak humour magazine of this period, Černokňažník [The Wizard]. Through this caricatures we study images of „enemies“(especially in role of „traitor“ or „alien“) in the eyes of Slovak national patriots. In this sense we pay special attention to the figure of the Jew and „maďarón“ - Slovak term for someone who was (sometimes only supposedly) not „native“ Hungarian, but who was defending Hungarian political interests directed against Slovak national emancipation.
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