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Pamiętnik Literacki
|
2013
|
vol. 104
|
issue 3
207-216
EN
Almost from the moment of scientific “discovery” of 17th century Polish plebeian poetry scholars debated on the problem of its authorship. Doubts arose from the fact that the texts were published pseudonymously. Literary historians inclined to various conceptions, claiming authorship to be the most difficult to settle. The present article introduces new arguments for identifying Jan Dzwonowski with Jan of Kijany and Januarius Sovizralius. It is claimed that the author in question originated from the village of Dzwonowa and was an organist in a parish church in the town of Brzostek (now Dębica poviat, Subcarpatian Voivodeship).
PL
Niemal od chwili naukowego „odkrycia” XVII-wiecznej polskiej poezji plebejskiej trwała dyskusja dotycząca kwestii jej autorstwa. Wątpliwości wynikały z faktu publikowania tych utworów pod pseudonimami. Historycy literatury skłaniali się ku różnym koncepcjom, uznając kwestię autorstwa za najtrudniejszą do wyjaśnienia. W niniejszym artykule przedstawiono nowe argumenty pozwalające na utożsamienie Jana Dzwonowskiego z Janem z Kijan i Januariusem Sovizraliusem. Wydaje się, że autor ten pochodził z wioski Dzwonowa i był organistą w kościele parafialnym w miasteczku Brzostek (dziś powiat dębicki, województwo podkarpackie).
EN
The paper examines selected texts of Jan Dzwonowski, seventeenth–century writer, considered by some scholars as the picaresque (pol. „sowizdrzalski”) author. The author of "Sejm albo konstytucje domowe" and "Statut…" speaks in a satirical, irreverent way, not only about the nearest seventeenth–century plebeian surroundings (minstrel’s family and living environment) as implied by the literal, superficial reading of his works. A deeper analysis of texts allows us to find some ironic statements of subject — jester, who not only mercilessly exposes the true nature of man, but also reveals the sad truth about the laws and institutions created by human society.
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