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WARSZAWA W KOLORZE SEPII. MIASTO I LUDZIE W OBIEKTYWACH XIX-WIECZNYCH FOTOGRAFÓW

100%
Chylińska-Stańczak B., Zarachowicz Z.
Ochrona Zabytków
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2003
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issue 1-2
221-223
EN
The “Sepia-tinted Warsaw” exhibition was an unforgettable journey along the trail of the first Polish photographers, including Karol Beyer, Marcin Olszyński, Konrad Brandl, and Jan Mieczkowski. Old photographs showed how Warsaw, its houses, residential and public interiors, streets, squares and the inhabitants changed in the course of several decades during the the second half of the nineteenth century. They also recalled the patriotic demonstrations of 1861, the local Bohemia and the stars of the dramatic theatres and the Opera. The host of the exhibition was the Library of the capital city of Warsaw, which collects photographs from the time of its establishment in 1907.
2
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‘They were devouring her with their eyes’. Some remarks on the Warsaw experience in the life and work of Helena Modrzejewska

72%
Wanicka A., Schreiber P.
Didaskalia. Gazeta Teatralna
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2022
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issue English Issue 2022
229-256
EN
This article concerns the Warsaw period in the life and work of Helena Modrzejewska. The years 1869-1876 are the least researched and described period in the entire career of this actress. The article refers to Zbigniew Raszewski’s essay ‘Modrzejewska-warszawianka’ (‘Modrzejewska the Varsavian’), debating the significance of the experience of the Krakow theatre in Modrzejewska’s work. In the light of a factual analysis, he presents the actress as a Drama Artist of Warsaw theatres, posing questions about the evaluation of the experience of working on the Warsaw stage in the context of her career. The methodological framework of the article is an attempt to see the principles of realistic idealism, i.e. the model style of the art of acting in the nineteenth century, not only in the actress’s stage performance, but also in social life and the iconographic material based on Jan Mieczkowski’s photographs.
3
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„Pożerali ją oczyma”. Kilka uwag o warszawskim doświadczeniu w życiu i twórczości Heleny Modrzejewskiej

72%
Wanicka A.
Didaskalia. Gazeta Teatralna
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2021
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issue 166
92-118
PL
This article concerns the Warsaw period in the life and work of Helena Modrzejewska. The years 1869-1876 are the least researched and described period in the entire career of this actress. The article refers to Zbigniew Raszewski’s essay Modrzejewska – a Varsovian, debating the significance of the experience of the Krakow theatre in Modrzejewska’s work. In the light of a factual analysis, he presents the actress as a Drama Artist of Warsaw theatres, posing questions about the evaluation of the experience of working on the Warsaw stage in the context of her career. The methodological framework of the article is an attempt to see the principles of realistic idealism, i.e. the model style of the art of acting in the nineteenth century, not only in the actress’s stage performance, but also in social life and the iconographic material based on Jan Mieczkowski’s photographs.
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