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1

Observation and Duration; Lyricism in Poems by Rev. Janusz Stanisław Pasierb

100%

Bałdyga K.

Colloquia Litteraria

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2017

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issue 1

EN

Limiting Fr. Janusz Stanisław Pasierb’s poetry exclusively to references to the Bible and the salvation history restricts understanding of the phenomenon of his poetry. Noticing the dialogicality of the speaking subject allows for grasping the most relevant in his poetry – experience accessible to the senses is moved to a higher level. The poet accurately and with minute precision notes down what is available to the senses; also, being aware of entanglement in time and space of human experience, he incorporates into his poetry a small surplus – he rips the experience from the horizontally oriented world and immerses it in transcendent reality. Observation and endurance are pillars of thinking about lyricism; Pasierb’s poems show how the prospect of eternity consolidates the value of a single experience.

2

Pasierb-an Essayist. The Assessment of Research Perspectives.

63%

Kudyba W.

Colloquia Litteraria

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2017

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issue 1

EN

Even though Fr. Janusz Stanisław Pasierb’s essay books enjoyed considerable popularity already during the author’s lifetime and they account for a sizeable portion of his writings, they have not been a subject of a separate study yet. Recently published Ars, fides et ratio. Esej teologiczny? (Tischner – Pasierb – Szymik) (Siedlce, 2012) [Ars, fides et ratio. A theological essay? (Tischner – Pasierb – Szymik)] by Aleksandra Pethe awakens hope for a revival in interest in Fr. Pasierb’s essays. The book itself contributes very little to the research on the writer’s essays, however it does pose important questions, among others on the mechanisms of the essayisation of homilies employed by Fr. Pasierb. It seems that other ways in which he transgressed various literary forms in the direction of theological essay deserve special attention. Fr. Pasierb’s writings remain open to state-of-the-art research tools and call for urgent investigation.

3

Pasierb – eseista. Stan posiadania, perspektywy badawcze

63%

Kudyba W.

Colloquia Litteraria

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2014

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vol. 16

|

issue 1

51-61

PL

Pasierb – an essayist. What we have and the research prospects Even though Fr. Janusz Stanisław Pasierb’s essay books enjoyed considerable popularity already during the author’s lifetime and they account for a sizeable portion of his writings, they have not been a subject of a separate study yet. Recently published Ars, fides et ratio. Esej teologiczny? (Tischner – Pasierb – Szymik) (Siedlce, 2012) [Ars, fides et ratio. A theological essay? (Tischner – Pasierb – Szymik)] by Aleksandra Pethe awakens hope for a revival in interest in Fr. Pasierb’s essays. The book itself contributes very little to the research on the writer’s essays, however it does pose important questions, among others on the mechanisms of the essayisation of homilies employed by Fr. Pasierb. It seems that other ways in which he transgressed various literary forms in the direction of theological essay deserve special attention. Fr. Pasierb’s writings remain open to state-of-the-art research tools and call for urgent investigation.

4

Obserwacja i trwanie – O liryczności wierszy ks. Janusza St. Pasierba

63%

Bałdyga K.

Colloquia Litteraria

|

2014

|

vol. 16

|

issue 1

39-48

PL

Observation and endurance: on lyricism in Fr. Janusz St. Pasierb’s poems Limiting Fr. Janusz Stanisław Pasierb’s poetry exclusively to references to the Bible and the salvation history restricts understanding of the phenomenon of his poetry. Noticing the dialogicality of the speaking subject allows for grasping the most relevant in his poetry – experience accessible to the senses is moved to a higher level. The poet accurately and with minute precision notes down what is available to the senses; also, being aware of entanglement in time and space of human experience, he incorporates into his poetry a small surplus – he rips the experience from the horizontally oriented world and immerses it in transcendent reality. Observation and endurance are pillars of thinking about lyricism; Pasierb’s poems show how the prospect of eternity consolidates the value of a single experience.

5

Ekfraza jako pytanie o prawo do zachwytu

63%

Zieliński J.

Colloquia Litteraria

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2014

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vol. 16

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issue 1

29-38

PL

Ekphrasis as a question about the right to enchantment The author discusses Fr. Janusz S. Pasierb’s poem spotkanie [meeting] from Zdejmowanie pieczęci [Removing the seal] volume (Warsaw, 1982). He treats the poem as an example of a double ekphrasis – a simultaneous reference to two works of art; one of them is Auguste Ottin’s large sculpture Polyphème surprenant Galatée dans les bras d’Acis (1866) composed into Marie de’ Medici’s fountain in Parisian Jardin du Luxembourg, the other Giovanni Lafranco’s painting Lucina e Norandino sorpresi dall’Orco (c. 1624) from the Borghese Gallery in Rome. The analysis, which evokes mythological, literary (Ariosto, Proust) and iconographical (Redon) contexts, leads to a conclusion about art’s mediating role; about art as ground that allows for enchantment over otherwise inaccessible forms of beauty.

6

„Poetyckie Dyptyki” w poezji ks. Janusza St. Pasierba

63%

Peroń M.

Colloquia Litteraria

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2014

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vol. 16

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issue 1

7-28

PL

‘Poetic diptychs’ in Fr. Janusz St. Pasierb’s poetry ‘Poetic diptychs’ distinguish themselves from a group o Fr. Janusz St. Pasierb’s poems inspired by the art of painting. These dual poems refer to the same branches of art (painting, sculpture, architecture) as a general rule. The dual sequences are put in the volumes next to each other. Apart from the subject matter they are linked by similar characteristics and nearly identical formulation of their titles. References to art are a pretext to ponder upon in a theological, existential and metapoetic manner. Dual nature of the voice points to multiple ways in which the visible can be interpreted. It also shows the necessity of precise defining of any meanings and presents the scope of difficulties related to inexpressibility.

7

Odpowiedź na recenzję prof. Jana Pruszyńskiego

51%

Żmudziński J.

Ochrona Zabytków

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1996

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issue 3

341

8

„klęczy Powietrze Ogień Ziemia Woda” Niepublikowana ekfraza ks. Janusza Stanisława Pasierba

51%

Korpysz T.

Colloquia Litteraria

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2009

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vol. 7

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issue 2

139-141

PL

W artykule po raz pierwszy opublikowano wiersz ks. Janusza St. Pasierba "chrzcielnica" oraz dokonano jego interpretacji.

9

Malarz uchodźca. Poetyckie spotkanie z Caravaggiem w twórczości ks. Janusza St. Pasierba

45%

Peroń M.

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2014

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vol. 62

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issue 1: Literatura Polska

114-128

PL

W poezji ks. Janusza St. Pasierba znajdują się trzy wiersze inspirowane malarstwem Caravaggia. Dwa z nich tworzą poetycki cykl na temat obrazu Ścięcie św. Jana Chrzciciela (Oratorium św. Jana Chrzciciela, Malta). Poeta odwołuje się do biografii malarza, zwłaszcza jego awanturniczego trybu życia, oraz wnika w wydarzenia biblijne. Istotna dla jego refleksji jest przestrzeń architektury, która bogactwem wnętrza kontrastuje z surowością dokonywanej zbrodni. Poeta wykorzystuje malarską zasadę kontrastów, by ukazać sytuację człowieka współczesnego. Poetycka refleksja dotyczy różnorakich aspektów wygnania: egzystencjalnej sytuacji samotności oraz stanu grzechu, doświadczenia śmierci, pokuty i nawrócenia.

EN

Among Rev. Janusz St. Pasierb’s poetical works there are three poems inspired by Caravaggio’s painting. Two of them make up a poetical series whose subject is the painting Beheading of St John the Baptist (Oratory of St John’s Co-Cathedral, Malta). The poet refers to the artist’s biography, and especially to his belligerent way of life, and he analyzes biblical events as well. The architectural space that with its wealth of the interior is contrasted with the harshness of the crime that is being committed, is significant for him. Using the painter’s principle of contrasts the poet shows the situation of the modern man. Poetic reflection is concerned with various aspects of exile: the existential situation of loneliness and the state of sin, the experience of death, penance and conversion.

10

ABOUT POLISH POETRY AFTER 1989 (DEFICIENCIES AND ‘SURPLUSES’): AN ESSAY IN LITERARY CRITICISM

38%

Kuczera-Chachulska B.

Colloquia Litteraria

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2017

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issue 1

EN

The article addresses selected issues about Polish poetry after 1989. The author distinguishes between the poetry of ‘a literary movement’ and the poetry fulfilling the criteria of a veritable work of art. She critically com - ments on the selected works by well-known authors who function as part of an unspoken canon; she portrays the poetry of Paweł Marcinkiewicz as one of the most attractive proposals coming from the younger generation, whereas from among the classics she picks texts by Czesław Miłosz and Janusz St. Pasierb.

11

"Ochrona zabytków sztuki kościelnej" : uwagi na marginesie monografii ks.prof. Janusza St. Pasierba

32%

Pruszyński J.

Ochrona Zabytków

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1996

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issue 3

336-341

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Observation and Duration; Lyricism in Poems by Rev. Janusz Stanisław Pasierb

Pasierb-an Essayist. The Assessment of Research Perspectives.

Pasierb – eseista. Stan posiadania, perspektywy badawcze

Obserwacja i trwanie – O liryczności wierszy ks. Janusza St. Pasierba

Ekfraza jako pytanie o prawo do zachwytu

„Poetyckie Dyptyki” w poezji ks. Janusza St. Pasierba

Odpowiedź na recenzję prof. Jana Pruszyńskiego

„klęczy Powietrze Ogień Ziemia Woda” Niepublikowana ekfraza ks. Janusza Stanisława Pasierba

Malarz uchodźca. Poetyckie spotkanie z Caravaggiem w twórczości ks. Janusza St. Pasierba

ABOUT POLISH POETRY AFTER 1989 (DEFICIENCIES AND ‘SURPLUSES’): AN ESSAY IN LITERARY CRITICISM

"Ochrona zabytków sztuki kościelnej" : uwagi na marginesie monografii ks.prof. Janusza St. Pasierba