Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 2

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  Julius Fučík
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Publication available in full text mode
Content available

Dlouhé loučení Milana Kundery s Julkem Fučíkem a odpovědnost žánru První verze Umění románu a druhá verze Posledního máje

100%
Meyer H.
Slovo a smysl - Word & Sense
|
2015
|
vol. 12
|
issue 23
36-65
EN
The article focuses on Milan Kundera’s works from the mid-1950s to the early 1960s, particularly on Poslední máj (The Last of May) in the versions of 1955 and 1961, and Kundera’s first Art of the Novel (Umění románu), a study on the works of Vladislav Vančura, finished in 1959. The article argues that these works are interesting not only from the point of view of Kundera’s then Marxist-Leninist political stance, but also with respect to genre theory and practise as it can be retraced in his writing before the appearance of the famous novels of the mid-1960s. The article demonstrates that the relationship between lyricism and the novel in these early works exhibits many features which are to be found in his later work. The novel takes up a privileged position — albeit with a different and more explicitly political, party-bound motivation, representing the “great epic” required by “the people”. The article also contains reflections on Kundera’s role in the Czechoslovak Stalinists cult of Julius Fučík, related to the genre issues mentioned insofar as Fučík is placed by Kundera in the same category as Vančura in the first Art of the Novel.
2
Content available remote

Ze země, kde zítra již znamenalo včera: Fučíkovy reportáže jako hold sovětskému experimentu

75%
Melichar B.
Soudobé dějiny (Contemporary History)
|
2021
|
vol. 28
|
issue 1
161-182
EN
Combined with Fučík’s loyalty to the current party line, participation in the resistance movement, and his martyr’s death, all of the above provided those formulating the post-war cultural policy with enough suitable material to create an unblemished Communist hero.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.