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In this interpretation of Juliusz Słowacki's ‘Snycerz był zatrudniony Dyjanny lepieniem…’ [The carver was busy shaping Diana's statue] the discussion focuses on his attitude to matter, especially as the material of art. The article argues that Słowacki elevates and even sacralises mud, the most lowly of raw materials, and thus exposes the falseness of the popular view that he despises matter, the base opposite of the spirit. However, it would be more accurate to say that in his vision, which is part of his Genesis from the Spirit philosophy, the path to salvation leads through the reconciliation of spirit and matter rather than a triumph of one over the other.
EN
This is a deconstructive reading of Juliusz Słowacki's Lilla Weneda, focusing on Ślaz, an enigmatic character usually marginalized in interpretations of this quasi-historical Romantic drama. Drawing on Professor Marta Piwińska's study of ‘Lilla Weneda’ in Dramat polski: Interpretacje (2001), this article explores the gaps and fissures in Słowacki's text. While complementing her analysis with a number of alternative readings, this article also uses deconstruction to challenge some of the points that are embedded in the traditional reception of the drama.
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