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Recepcja prozy Warłama Szałamowa. Próba systematyzacji

100%
Kulikowska M.
Kultury Wschodniosłowiańskie - Oblicza i Dialog
|
2014
|
issue 4
95-114
EN
The topic of this article is the reception of Varlam Shalamov’s output since his first official publication of The Kolyma tales in1978 inLondon until now. Works published inRussia andPoland, also inFrance,Great Britain,Italy,Israel,Germany,USA andAustralia have been deeply analysed. It was proved that first publications were dedicated to Varlam Shalamov’s biography and the portrayal of the Gulag civilization (since the second half of 90’s, last century). Problems of poetic in works are dominating in last publications. Apart of this, on the bases of thematics of chosen research papers in the article, some directions of further development of Shalamov’s legacy were determined.
PL
The topic of this article is the reception of Varlam Shalamov’s output since his first official publication of The Kolyma tales in1978 inLondon until now. Works published inRussia andPoland, also inFrance,Great Britain,Italy,Israel,Germany,USA andAustralia have been deeply analysed. It was proved that first publications were dedicated to Varlam Shalamov’s biography and the portrayal of the Gulag civilization (since the second half of 90’s, last century). Problems of poetic in works are dominating in last publications. Apart of this, on the bases of thematics of chosen research papers in the article, some directions of further development of Shalamov’s legacy were determined.
2
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Точка невозврата и предел человеческих сил в рассказе Георгия Демидова Интеллектуал

100%
Gorbaczewski C.
Rusycystyczne Studia Literaturoznawcze
|
2022
|
vol. 32
1-12
RU
В образной системе рассказа Демидова одну из ключевых ролей играет вооружённая охрана, конвоирующая на тяжёлую работу едва передвигающих ноги заключённых. Встречаются в рассказе имена известных исторических и художественных персонажей разных эпох и народов: физики Лауэ и Эйнштейн, математики Бальи и Огюстен Луи Коши, упоминаются Гамлет и Горацио, Пушкин и Сальери. Проводимые исторические и пространственные параллели не выглядят случайными. Современная авторитарная форма правления и монополия немногих думать за всех напоминают повествователю единоличные диктатуры, ведущие войну с собственной интеллигенцией.
EN
In the figurative system of Demidov’s story, one of the key roles is played by armed guards, leading prisoners who barely move their legs to hard work. In the story one may find the names of famous historical and literary characters from different eras and people: Laue, Einstein, Balya and Cauchy, Hamlet and Horatio, Pushkin and Salieri. The drawn historical and spatial parallels do not look random. The authoritarian form of government and the monopoly of a few people to think for everyone, reminds the narrator of one-person dictatorships waging war with the intelligentsia.
PL
W systemie figuratywnym opowiadania Demidowa jedną z kluczowych ról odgrywają uzbrojeni strażnicy, zmuszający do ciężkiej pracy więźniów, którzy ledwo powłóczą nogami. W utworze pojawiają się nazwiska znanych postaci historycznych i literackich z różnych epok i narodów: Laue, Einstein, Balya i Cauchy, Hamlet i Horacy, Puszkin i Salieri. Ukazane analogie historyczne i przestrzenne nie są przypadkowe. Autorytarny rząd i przywilej kilku osób, myślących za wszystkich, przypominają narratorowi jednoosobowe dyktatury toczące wojnę z inteligencją. 
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