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EN
The PCMA expedition to Kom el-Dikka conducted fieldwork between March and July 2016, filling out the usual multiple-task agenda encompassing both conservation projects and archaeological excavation. The program of work was conditioned to a large extent by the pending completion of the first stage of the Kom el-Dikka Site Presentation Project (southern zone of the site). Top priority was given to preservation work, supplemented with limited excavation in the early Islamic necropolis. A vast collection of finds including coins, plasterwork, glass artifacts of different age (from Ptolemaic to early Islamic) originating from previous seasons of fieldwork continued to be documented and studied by a group of specialists. The appendix brings a brief report on the glass finds from area CV, stratigraphically from the level of the Lower Necropolis, but chronologically from the late Roman/early Byzantine period (5th–6th century AD).
EN
The presented pottery collection comes from the excavation of a medieval Islamic cemetery discovered at the Kom el-Dikka site in Alexandria, Egypt. The described set represents only a small fraction of an assemblage consisting of ceramics imported from the world known at the time. Hafsid pottery is easily distinguished thanks to a characteristic palette of colors: brown and blue patterns painted on a creamy-white background. The decoration repertoire can be divided into the following main groups of motifs: zoomorphic, floral, geometric and pseudo-epigraphic. The archaeological evidence is insufficient to support a periodization of this collection; the suggested dating follows from a stylistic analysis of the decoration compared with dated parallels from excavations on the citadel in Tunis and the bacini (bowls) preserved in Italian cathedrals.
EN
Recent archeological work at the Kom el-Dikka site in Alexandria yielded a fragment of cast mosaic-glass floral plaque. It is one of just a few pieces of this category of glass known from regular excavations in the city. It exhibits a set of stylized flowers and fruits arranged in right-left symmetry, characteristic of this type of objects, which are generally assigned to the first century BC – first century AD. It is presumed that they were intended as inlays on wooden boxes and other furnishings, whereas larger examples were used as revetment panels in architectural contexts. The plaque from Kom el-Dikka was found in a late Roman context, containing also residual material from the early Roman period.
EN
New glass finds from the Kom el-Dikka site in Alexandria come from the excavation of Area FW located in the central part of the site. The bulk of the recorded material, made up of conical lamps, beakers and bowls, and poorly fashioned bottles, belongs to the late Roman period (4th–5th century AD). The uniformity in colour, distinctive low quality of the fabric and simple workmanship, all point to a common origin in local workshops covering the needs of the local market. A few pieces, including luxury cast and facet-cut tableware, apparently from a non-local source, represent the late Hellenistic/mid-Roman chronological horizon (2nd century BC–3rd century AD). Meriting note is new evidence of mosaic glass, once again confirming that this type of glass was manufactured in Alexandria in the mid-Roman period. The importance of this assemblage derives from the presence of early Roman luxury tableware which has seldom been observed before at Kom el-Dikka.
EN
The Polish–Egyptian mission at Kom el-Dikka, ran by the Polish Centre of Mediterranean Archaeology, University of Warsaw, stepped up the already advanced preservation processes aimed at establishing an Archaeological Park at the site. Conservation work was carried out in the theater portico, the bath complex and the residential quarter of late Roman date in the eastern part of the excavation area. In turn, the western part was the focus of archaeological research centered on the exploration of some late Roman structures located underneath. The early medieval/Islamic cemetery overlying these remains was explored first. A detailed report from this work is appended to this article. The human skeletal remains from the cemetery were examined by anthropologists. The western gate to the bath complex, leading from the theater portico, was fully exposed. Finds from present and earlier work at the site continued to be studied: glass vessels, pottery, lamps, bone objects, painted wall plaster, and a vast collection of coins.
EN
The glass material from PCMA excavations at the Kom el-Dikka site in Alexandria in the 2012 and 2013 seasons consisted mainly of a late Roman/early Byzantine assemblage, mostly yellowish-green blown glass characterized by a homogeneity of the fabric, a limited variety of vessel types and simple workmanship, all indicative of a local glasshouse most likely operating at the site. Fragments of early and late Roman mosaic glass were also an important element of the set. Excavations in area U (sub-area US) also yielded a handful of late Hellenistic/early Roman glasses: various types of cast bowls seldom previously reported from Kom el-Dikka, a linear-cut bowl, monochrome patella, and colorless bowl with broad rim and overhung edge. The assemblage coming from area G (basement of the late Roman baths) comprised late Roman free-blown, utilitarian wares representing a limited range of forms. Also found in this area was cast glass of the late Hellenistic/early Roman period: mosaic glass and a grooved bowl, the latter recorded for the first time at Kom el-Dikka.
EN
A set of more than 30 tetradrachmas from the second half of the 3rd century AD was discovered in Alexandria in Egypt, at the Kom el-Dikka site excavated by a Polish mission, in a zone of public buildings constructed in the 4th century AD. A row of lime kilns from the construction site of this complex stood on top of the ruins of an early Roman domestic quarter and, after they ceased to be used, were covered with earth and rubble, the latter partly from the destruction layer of these houses. Excavation of the kilns in 2008 and 2009 produced large quantities of 4th and 5th century pottery as well as pieces of marble revetment that had been fed to the kilns, and isolated late Roman coins. The tetradrachmas from two of the kilns (Fc and Fd), which were hoarded apparently in AD 293–295, seems to have preceded the destruction of the early Roman houses and may have been hidden in one of them.
EN
Excavations in 2018 of the central part of the Kom el‑Dikka site in Alexandria (Area FW) produced a collection of glass finds representing two broadly defined chronological horizons. The set from an early Roman house in the lower layers of the sector is representative of the early and mid‑Roman period (1st–3rd centuries AD) and is significant in that it broadens the known repertoire of vessels forms from the site in general. Examination of the context has also provided further firm archaeological evidence of gold-in-glass bead manufacture at the site. The upper layers, associated with an extensive dumping of ashes from the nearby late antique bath and waste from the working of a complex of lime kilns situated in this area, yielded material typical of late Roman/early Byzantine glasses (4th–6th century AD) already known from the site and comprising mainly simple free-blown utilitarian wares with limited ornamentation.
EN
The study of mural painting in ancient Alexandria is still based on images decorating walls of Alexandrian tombs due to the fact that discoveries of painted plaster at archaeological sites in the ancient city are rather scarce and poorly documented. For this reason, the analysis of painted decorations from both public buildings and private houses has to be supported with references to the material from the necropolis. Fragments of mural paintings, unfortunately not in large numbers, were found on the walls of buildings discovered at Polish excavations at Kom el-Dikka. They are mostly decorations of house interiors, both from the Early Roman and Imperial Periods (first–third centuries AD) as well as the Late Antique Period (fifth–sixth centuries AD). Very few remains of painted decoration of public buildings were preserved in several so-called auditoria and in some rooms of Imperial Baths. Rich assemblages of painted plaster pieces were found in debris filling interiors of particular buildings. A common presence of uniform patterns and colours indicates that the majority of the material might have come from a single large edifice located in the vicinity of Kom el-Dikka. The material, which consists of several hundred remains, includes a rich selection of imitation of stone revetment, fragments of ornamental decorations and pieces which come from bigger figural compositions. All this material could be a starting point for an in-depth study of painted decoration of Alexandrian architecture between the first and the sixth centuries AD.
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EN
Archaeological excavations of the medieval Islamic burial ground in the northern part of area U on the Kom el-Dikka site in Egyptian Alexandria, carried out from 2012 to 2014, yielded a total of 98 graves. Of these, 75 contained human skeletal remains. The minimum number of individuals (MNI) was 156. The article presents preliminary studies on this sample. The scope of the investigation was limited, however, owing to the poor state of preservation of the bone material.
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