Results found: 1

Search results

Search:
in the keywords: Kornblumenblau

Sort By:

Limit search:

Artysta w l'univers concentractionaire. "Kornblumenblau" Leszka Wosiewicza jako traktat o sztuce

100%

Mąka-Malatyńska K.

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

2009

vol. 7

issue 13-14

151-167

The author of the essay considers Leszek Wosiewicz’s Kornblumenblau as a film about art and focuses on the self reflexive elements present in the film, particularly those referring to film conventions. This analysis examines the film in the context of the reflections about the meaning of art in totalitarian systems and situation of the artist in the reality of the concentration camp. Kornblumenblau depicts degenerated art as depriving of freedom and rescue, becoming another tool of oppression. Dehumanizing power of this art points at the final decay of man in the epoch of gas chambers.

The Artist In L’univers Concentrationnaire. Leszek Wosiewicz’s “Kornblumenblau” As a Treaty About Art The author of the essay considers Leszek Wosiewicz’s Kornblumenblau as a film about art and focuses on the self reflexive elements present in the film, particularly those referring to film conventions. This analysis examines the film in the context of the reflections about the meaning of art in totalitarian systems and situation of the artist in the reality of the concentration camp. Kornblumenblau depicts degenerated art as depriving of freedom and rescue, becoming another tool of oppression. Dehumanizing power of this art points at the final decay of man in the epoch of gas chambers.

Refine search results

1 Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

1 Mąka-Malatyńska K.

1 2009

Search results

Artysta w l'univers concentractionaire. "Kornblumenblau" Leszka Wosiewicza jako traktat o sztuce