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  1. 1 Horváth T.

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“NIEKEDY SA VRACAJÚ.“ TRANSFORMÁCIA BALADICKEJ LENÓRSKEJ TÉMY V MODERNIZME

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Horváth T.
Slovenská literatúra (Slovak Literature)
|
2012
|
vol. 59
|
issue 4
324 – 337
EN
The study analyses the reinterpretation of Bürger´s ballad Lenore (1774) in terms of inter-textuality, genre and literary movement in the modernist short story by the Polish writer Antoni Lange Lenora (1912). According to Lange, his short story „tries to explain the ´balladic´, spiritualist phenomena by rational means“. Lange´s modernist reinterpretation modifies the motif of the return of the dead: in Bürger´s poem it is a physical return of the dead – a spectre having physical features, in Lange´s short story it is Konrad´s revelation interpreted as a meta-psychic phenomenon when a telepathic transmission occurs at the moment of Konrad´s death. The syuzhet of the story does not contain a contact with the afterlife and a crossing of the borderline between the opposite semantic territories, being life and death. Therefore Konrad does not act as a diabolical revenant as opposed to all the other balladic variations of the theme.
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