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IDYLICKÉ STRATÉGIE VNÍMANIA SKUTOČNOSTI. LASKOMERSKÉHO CESTA NA VÝCHOD

100%
Hudymač A.
Slovenská literatúra (Slovak Literature)
|
2018
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vol. 65
|
issue 2
103 — 115
EN
In the paper idyll is presented in three different uncovers. First of all – “degraded idyll”, connected with the phenomenon of “orientalism”, described for the first time by Edward Said. Secondly – “retrospective idyll”, updating the Arcadian Myth and finally – the idyll as a peculiar panacea for the trauma of the otherness. Laskomerský’s travel jotting is analysed through the prism of post-colonial studies as well as phenomenology. In this paper travel is related to the specific kind of experience, both cognitive and emotional, and it is as well a very important part of romantic cultural paradigm, especially voyage to the Orient. Orient was disturbingly different, fascinating and it helped to demarcate the border of one’s own culture and identity. Laskomerský’s travel book is an assemblage of the discourses and is built on the basis of contrast, on both style and content level. The Slovak author is torn between true admiration of beauty and exoticism of the Constantinople and the anxiety, as well as rejection of the foreign culture.
2

TALIANSKE CESTY GUSTÁVA KAZIMÍRA ZECHENTERA - LASKOMERSKÉHO

86%
Kruláková A.
Slovenská literatúra (Slovak Literature)
|
2014
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vol. 61
|
issue 6
449 – 461
EN
The study titled The Italian Travels of Gustáv Kazimír Zechenter - Laskomerský researches the particularities of Italian travels as a phenomenon in the work of the author in question in the context of other authors´ travelogues written in the 19th century as well as the differences between the individual Laskomerský´s travelogues. Laskomerský eliminated the ideological and romantic influences in the genre to a great extent, strengthened its informative-educational aspect and enlivened it with a style containing anecdotes and other humorous elements. As can be seen in the study, though, the travelogue Zo Slovenska do Ríma /From Slovakia to Rome/ is different from the other travelogues by Laskomerský. Its analysis and comparison with the author´s autobiography helps us find out that the reason why it is different is fictitiousness – so far unnoticed by its interpreters, which made the travelogue feel overloaded with travel-guidebook-like information, and, on the other hand, revived the national aspect characteristic of the Romantic discourse. Empiricism is important for Laskomerský´s work regardless of genre; may it be absent anywhere it is substituted by ideology. This proves the author´s interposition between the two types of literary discourse.
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