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RETHINKING LATENT PUBLIC OPINION (A latens kozvelemeny ujragondolasa)

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Angelusz R.

Szociologiai Szemle (Sociological Review)

2009

vol. 19

issue 4

7-24

The study makes an attempt at rethinking and extending the notion of latent public opinion. According to this conception, in contemporary societies it does not suffice to restrict the concept of latent opinion to the bifurcation of private and public opinions on the one hand and the manifestation of so called hidden opinions on the other. The paper studies the concept of latent opinion from three aspects. Beside the secrecy of opinions it analyzes latency syndromes deriving from the restricted observability of audiences, respectively from the transformation of opinions to votes. In all these cases it is the lack of direct observability - visibility, surveyability and foreseeability - that plays an important role in the evolution of latency. The extension of the concept can refer not only to hidden opinions as intended but also to the unintended consequences of latency. Surveying the research experiences of forty years it seems certain that while before the change of system it was hidden opinions that existed much more widely, in our days it is the more difficult reachability of audiences and the transformation of opinions into votes that becomes the most important barrier of the observability of opinions.

„TOTO TUŠENIE, KTORÉ VISÍ VO VZDUCHU“: DÁ SA LATENTNÁ INTERTEXTUALITA VYCÍTIŤ?

86%

Kazalarska Z.

Slovenská literatúra (Slovak Literature)

2012

vol. 59

issue 3

185 – 203

The study is concerned with the phenomenon or notion of latency and its potential use in the field of literary science, especially in the field of intertextuality. She proceeds in several steps. First she reports, comments on and speculates about the current research on latency in the field of German culture and arts. Then she reviews the subject of intertextuality – leading into the idea of latent intertextuality. As symptoms of such latent intertextuality she employs phenomena or notions such as moods and atmospheres in their classic phenomenological provenance as well as current aesthetic and literary-scientific analysis (G. Böhme, H. U. Gumbrecht). The interpretative arty focus of the study lies in the part from I. Blatný´s correspondence with M. Součková dealing with the relation between his poem Báseň v cizím bytě (Poem in someone else´s flat) and the writer´s prose Zakladatelé (Founders) and at the same time in both of the works of art commented by I. Blatný. In the year 1948, on the edge of two literary epochs, I. Blatný with great subtlety and sensitivity typical of a poet raises a question of latent intertextuality based just on literary atmospheres – beside traditional well-studied literary influences and dependences. The author in her study comes to a prospective question how to make use of the latent inspirations of the after-war 1950s when a complicated „abortion“ of time occurs in Czech literature and many stimuli of classic modern art or avant-garde are moved into the zone of latency, where they, however, begin to operate from the mid-1950s on again.

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1 Slovenská literatúra (Slovak Literature)

1 Szociologiai Szemle (Sociological Review)

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1 Angelusz R.

1 Kazalarska Z.

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RETHINKING LATENT PUBLIC OPINION (A latens kozvelemeny ujragondolasa)

„TOTO TUŠENIE, KTORÉ VISÍ VO VZDUCHU“: DÁ SA LATENTNÁ INTERTEXTUALITA VYCÍTIŤ?