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THE CRIME OF NON LIVING THINGS BY IVAN HORVATH IN THE CONTEXT OF THE MODERNISTIC VIRTUALITY

100%
Kuzmikova J.
Slovenská literatúra (Slovak Literature)
|
2006
|
vol. 53
|
issue 3-4
178-183
EN
he aim of the study is to clarify a phenomenon of a modernistic virtuality and some of its expressions in the 20th century arts of 20-ties and 30-ties. The European and Slovak prose in that time reflected the intuitivistic concepts of so called antirational thinking. Mainly Bergson's conception of creative development with its virtual dimensions was an inspirational impact. Moreover today, it offers a base for the post-modern thinking in the history of literature, which intention is not to ignore historical entry of virtual reality in all kinds of the spheres of human activity. This methodological base was applied into the short story written by Ivan Horváth 'Zlocin nezivých veci' (The Crime of Non Living Things, 1932). The analysis showed that he included Bergson's virtuality into the plot of the short story. Due to it, it was possible to analyse a discursive construction of Horváth's text, superior to epistemological course of the story. Discursive style and its connection with the motives of truth and a woman pre-marked poststructuralist, a Derrida like thinking, about the same problems. Research in the history of literature regarding a discursive composition of the texts, as well as the character of artistic virtuality and virtual reality, innovate thinking about values of the epoch of Modernism. The cognitive element of such an approach offers new criteria for understanding of so called realism as a specific co-part of modernistic writing.
2

JAN SMREK (GALLOPING DAYS)

88%
Habaj M.
Slovenská literatúra (Slovak Literature)
|
2008
|
vol. 55
|
issue 6
405-421
EN
The aim of the study is to show the residua of poetic world in the book 'Cvalajuce dni' (Galloping days), which altogether with the aesthetic realisation itself accent or presume ethical origin as a primary source of Smrek's poetic gesture. Jan Smrek's second collection of poems 'Cvalajuce dni' (Galloping days) was published in 1925: opposite to his debut it brought radical change in terms of aesthetics, poetics as well as typology. The basic semantic gesture of the book confirms that Smrek departed from metaphysical aspiration and a plan of eternity, and he joined the way of physical life- experience, releasing of sensually instinctive vitality and a plan of temporality. Tension between linearly and cyclical model of world is manifested in different structurally semantic levels, while the author found his expression primarily in opposition 'sinfulness' (culture, city, prostitution) and 'innocence' (nature, village, virginity/maternity). An inevitable condition of Smrek's model of world is an ethic, and moral attitude, which are parts of natural/inartificial order. They are guarantees for keeping continuity of existence in both individual and generic levels (in the context of Bergson's life philosophy). Integrity of being and synthesis of life is then articulated not in antagonistic but complementary relationship of the concepts of activity and passivity, spontaneous passion and faithful love, adventure and steadfastness, finality and infinity. In the very centre of Smrek's poetic world there is an idea of free development of human individuum. The study is to contribute in enlarging the aesthetic contexts of Smrek's model of world in anthropological and ontological dimensions in connection with Bergson's philosophy of 'creative development'.
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