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THE MUSE OF TATRAS WITH A SLAVONIC LYRE - QUESTIONS ABOUT SAFARIK'S (POETIC) PIONEERING (Tatranska Muza s lyrou slovanskou - otazniky nad Safarikovym (basnickym) prvenstvom))

100%
Riskova L.
Slovenská literatúra (Slovak Literature)
|
2011
|
vol. 58
|
issue 3
240-258
EN
Safarik's collection of poems Tatranska Muza s lyrou slovanskou (The Muse of Tatras with a Slavonic lyre, Levoca, 1814) attracts a lot of attention in the literary-historical discourse - as a rule it is regarded as an important milestone in the development of Slovak poetry, or as the first manifestation of real modern Slovak poetry. On the other hand, it overshadows - not quite fairly - other authors´ literary works written at the turn of the 18th and 19th centuries. Recent interpretations and analyses of the period of Slovak literature in question shows the need to review some of the profiles, especially those which comment on its influence on steering domestic literary development. Although it is indisputable, some of Safarik's poems carry features of more personal, subjective or intimate poetic expression, it cannot be overlooked that he often combined it with other poetic strategies which are just as relevant sources of information when reconstructing general outlines of the Slovak literary development. Therefore when analysing and assessing (not only) Safarik's collection, it is necessary to take account of the complete list of contemporary literary principles, a possibility of foreign influence or a number of other potential sources of inspiration, as well as the historical, social and cultural context of the overall contemporary literary production.
2

INTERPRETATION, DOMESTICATION, MANIPULATION (DAVISTS AND F. X. SALDA) (Interpretacia, domestikacia, manipulacia (davisti a F. X. Salda))

84%
Passia R.
Slovenská literatúra (Slovak Literature)
|
2011
|
vol. 58
|
issue 4
358-366
EN
The study deals with the relationship between critics from the magazine DAV's circle and the Czech critic F. X. Salda. There seem to be three complementary ways relating to Salda that can be tracked in the Davists' approach to him from 1937 (F. X. Salda's death), and especially after 1948: they are called domestication, interpretation and manipulation. Salda's critical methods were well received and applied by Slovak Marxist critics from the magazine DAV in order to solve Slovak culture problems however his opinions were also significantly reshaped under the influence of ideology. Vladimir Clementis is used as an example to prove this fact. The study deals also with the influence of Salda's personalistic criticism as a model and pattern on Slovak cultural environment before World War II and is concerned with opinion adjustments made by some of the Slovak promoters of Salda's criticism after the rise of Communist dictatorship (Alexander Matuska). In conclusion, there is given evidence that Salda as a representative of a certain approach to cultural issues is still present in the current Slovak literary discussions, e.g. in Julius Vanovic's works.
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