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Staroserbska kultura w kategoriach Latinitas i Cyrillianitas

100%

Lis-Wielgosz I.

Studia Wschodniosłowiańskie

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2013

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vol. 13

343-360

EN

This paper presents a deﬁnition of Old-Serbian culture in the categories of Latinitas and Cyrillianitas, and indicates, on the one hand, the problem of incoherence, diﬃculties in relation to, not only, one category, but also to the whole terminological repertoire. There is no concept in the repertoire which can become an unambiguous and exclusive evidence of a deﬁnite cultural system or a collection of cultural systems; on the other hand the paper is an attempt at referring these categories to a description of a speciﬁc case. The presentation of Old-Serbian culture by means of both categories shows its speciﬁc status of functioning “between”, “toward” and “over” the circles of civilisation, cultural centres and traditions.

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FEMINISTYCZNE GRY Z AUTOBIOGRAFIĄ

58%

Janiak E.

DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu

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2018

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vol. 25

152-165

EN

The Feminist Games with Autobiography The aim of the article is showing diverse ways of reception and descrip- tion of female autobiographies in the critical literary research. The au- thor devotes exceptional attention to the feminist researchers’ approach to these texts and the reading strategies proposed by them. Tracing the feminism – female autobiography relation makes it possible to perceive mutual influences and observe evolution of the emerging discourse of the feminist literary criticism.

3

HARDCORE, HARD-CORE I HARDKOR

58%

ADAM G.

DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu

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2015

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vol. 20

288-3015

EN

Internet users mainly consider ‘hardcore’ in connection with something extreme (eg. sports), which ensures maximum intensity of dangerous experience or resistance to change. ‘Hardcore’ is also name of the style in music, which in the 1980s was initiated by the second wave of punk bands. At the same time it applies to the genre of electronic music. Inhomogeneous concept of hardcore is associated with its earlier use than those that we now know. The word ‘hardcore’ was also used as the name of a base for road construction (eg. small stones, pieces of brick and grits), and/or to describe difficult/extreme physical exercise. However, before the term ended up in the language of culture, it was an economic term, meaning people who were not only unemployed, but those unemployed who have been out of work for a year or longer. The word appears in the Oxford English Dictionary (1936) in a phrase ‘hard-core unemployment’ (hard core of unemployed) which can be traced to the difficult situation of people. In general, the first time it appears in 1930 in the texts by Irish parliamentarians. Then, after 1950, it is more often used to determine former prisoners, terrorists (pro-segregation), people addicted to hard drugs, and even ... Republicans. Associations with ‘hard’ pornography or hardcore bands of music meant that deadline was not included in the art and did not function as an aesthetic category. At the same time hardcore, in all its manifestations, the term exists because of its diverse literary layer, as ‘cute’ word, and many references that make it difficult to ignore.

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2 DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu

1 Studia Wschodniosłowiańskie

1 2018

1 2015

1 2013

1 ADAM G.

1 Janiak E.

1 Lis-Wielgosz I.

Staroserbska kultura w kategoriach Latinitas i Cyrillianitas

FEMINISTYCZNE GRY Z AUTOBIOGRAFIĄ

HARDCORE, HARD-CORE I HARDKOR