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SLOVENSKÍ EVANJELICI A. V. NA DOLNEJ ZEMI V ROKOCH 1938 – 1945 (K VZŤAHU KULTÚRNEHO ZÁZEMIA A POLITIKY V ČASE DRUHEJ SVETOVEJ VOJNY)

100%

Hruboň A., Mičko P.

Studia Historica Nitriensia

2018

vol. 22

issue 2

335 – 361

During the World War II Slovak communities in the „Lower Land“ (Dolná zem/Alföld) gained experiences with new states and political regimes. Due to aggression of Hungarian Kingdom which, as a German ally, annexed parts of Czechoslovakia, Romania and Yugoslavia in 1938 – 1941, a large part of Lower Land Slovaks temporarily became Hungarian citizens. Other groups of ethnic Slovaks lived in Romania, Ustasha Croatia, occupied territories of Serbia and Bulgaria during the wartime period. Conditions for national and religious life of these communities differed depending on national policy of their new motherlands and local specifics in which they coexisted with other nations and nationalities of this multicultural region. Despite a resolute stance of Slovak Lutherans in Slovakia towards the ruling Hlinka´s Slovak People´s Party´s catholic-profiled regime, Lutherans who were a majority among the Lower Land Slovaks did not always share moods of their fellow believers from historical homeland of their ancestors. Lutheran Slovaks in Hungary, Yugoslavia, Romania and Bulgaria had not maintained a close contact with the Slovak Republic and its regime. Because of this factor, Hlinka´s Slovak People´s Party´s regime could not directly influence the Lower Land Slovaks and exert political or ideological pressure on them. Presented study analyzes to what extent did the unenviable position of Slovak Lutherans in Slovakia mirror in the life of the Lower Land Slovaks, in their perception of Hlinka´s Slovak People´s Party and in their attitudes to the Slovak statehood. Taking the local national, cultural and religious specifics of the Lower Land into consideration, it also debates the question why the Lower Land Slovak communities, in general, did not show a passionate pro-regime activism and joy over the independent Slovak State, why they held a neutral, negative or not clearly profiled stance to the political issues regarding the “New Europe” instead and why the traditional cultural aspects like Lutheran faith played a bigger role within their identity than a wartime nationalism.

DVE STATE O MODERNOM DRAMATICKOM UMENÍ (VHV, IVAN LILGE LYSECKÝ)

86%

Hučková D.

Slovenská literatúra (Slovak Literature)

2016

vol. 63

issue 6

454 – 467

Although the cultural life of Slovak communities found in the territory of Hungarian Lower land quite long lacked a direct contact with dramatic culture, at the turn of the 1910s theatre and dramatic art was integral part of Slovak-language culture in Vojvodina. Theoretical reflection on modern dramatic art developed, too, which can be proven by two articles published in Národnie noviny in 1914. Both of the authors had more or less direct links with the Slovak-language Lower-land environment. Vladimír Hurban Vladimírov (1884 – 1950) from Stará Pazova, nowadays regarded as the most significant Lower-land playwright, focused in his lecture O dramatickom umení (On Dramatic Art, Národnie noviny, 18 July 1914) on the basic principles of dramatic art being applied from the earliest times to present, which he had derived from contemporary German theatre studies. His paper received an immediate response from Ivan Lilge-Lysecký (1886 - 1918), working in Báčki Petrovac for some time, whose article Dramatické umenie (Dramatic art, Národnie noviny, 30 July 1914, 4 August 1914) was intentionally specialized in modern dramatics – in this respect Lilge was the first Slovak to inform about so-called intimate theatre. Both of the papers show the contemporary - yet unaffected by war - thinking on the form and character of dramatic art, which on the one hand grew against a background of analytically oriented Naturalism and Realism, and, on the other hand, it placed weight on synthetic expression, symbol, stylistic features and a new way of depicting intimacy. At the same time, they demonstrate that modernists´ attempts were not merely poetic and prosaic, but they were also made in the area of drama, moreover they occurred in the most modern form and a close connection with European contemporary tendencies and trends.

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SLOVENSKÍ EVANJELICI A. V. NA DOLNEJ ZEMI V ROKOCH 1938 – 1945 (K VZŤAHU KULTÚRNEHO ZÁZEMIA A POLITIKY V ČASE DRUHEJ SVETOVEJ VOJNY)

DVE STATE O MODERNOM DRAMATICKOM UMENÍ (VHV, IVAN LILGE LYSECKÝ)