Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 2

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  Lavater
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Publication available in full text mode
Content available

Zagadki dotyku (i spojrzenia) w Cnotliwych Elizy Orzeszkowej

100%
Skorupa E.
Tematy i Konteksty
|
2018
|
vol. 13
|
issue 8
436-454
EN
This article is devoted to the analysis and interpretation of the sense of touch in the early novel The Virtuous by Eliza Orzeszkowa. Touch is used in emotional or intentional tones, and in its character is the force of interaction: positive or negative. In the novel The Virtuous, touch in a physiognomical context was particularly important, which added diagnostic information about the nature of the literary hero. Due to the satirical content of the work, there was definitely more badness in tangibility that distinguished the small-town elite. Among the many categories of touch are “touch for show”, hidden touch, honourable touch, metaphorically-meta-physical touch, and empathic touch.
2
Publication available in full text mode
Content available

Profile Chrystusa w „Albumie Orbis” Norwida. Wstępne rozpoznanie

82%
Starownik A.
Prace Filologiczne. Literaturoznawstwo
|
2019
|
issue 9(12) cz.2
97-113
EN
The article presents the profiles of Christ in the second part of Norwid’s Album Orbis in the context of the iconographic tradition. They derive from the Renaissance medals with the image of the Saviour. Particular illustrations have their origins in the tapestry Miraculous Draught of Fishes based on Raphael’s cartoon, a medal with a Hebrew inscription, an image found (according to the reports) around the Roman catacombs and in Lavater’s work. Christ’s ‘portraits’ contained in Album Orbis have been interpreted: they show Jesus as the most important of the famous men, the one who creates the history and is cognizable rationally by science and art. At the same time, He is the incarnated God, occupying a central place in Norwid’s work, both literally and figuratively. This is the manner in which the author expresses the compatibility of rationality and Revelation.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.