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Najwyższa Izba Kontroli w Litzmannstadt Getto - żydowska administracja samorządowa łódzkiego getta

100%
Maj J.
Kontrola Państwowa
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2014
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vol. 59
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issue 2(355)
173-192
EN
The Litzmannstadt Ghetto was established on 8th February 1940, and it was the first ghetto on the Polish land included in the Third Reich. It was located in the poor and squalid northern part of the city of ód. Altogether, over 200,000 people went through this ghetto. The ghetto had a huge administrative apparatus that in 1942 was composed of 33 agencies which employed almost 14,000 persons. In order to provide for an efficient control of this comprehensive apparatus, an external audit body was established, which was called the Supreme Audit Office. In his article, the author discusses the organisation and functioning of the ghetto NIK.
2
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Narcyzm przekłuty kołkiem ironii. Czyli co stało się w Fabryce muchołapek

100%
Tomczok M.
Zagadnienia Rodzajów Literackich
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2018
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vol. 61
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issue 3(127)
53-70
EN
This article is the first attempt at the psychoanalytical interpretation of Flytrap Factory by Andrzej Bart. The author refers to such issues as Holocaust, postmodernism and culture of narcissism. Marta Tomczok compares the novel written by Bart in 2008 with the documentary Radegast by Borys Lankosz and Bart’s screenplay. In Tomczok’s interpretation judgement over Chaim Mordechai Rumkowski is not the main theme of the Bart’s novel. The researcher supposes that the main topic could be the contemporary story of the writer Andrew working on the novel entitled Flytrap Factory and screenplay of the film similar to Radegast. The author bases on the theory of narcissism of J. Lacan and the concept of postmodernist history of H. White.
3

Działalność orkiestry symfonicznej w getcie łódzkim w latach 1940–1944

88%
Mikołajczak M.
Kwartalnik Młodych Muzykologów UJ
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2019
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issue 3(42)
53-76
EN
The article presents the activity of the symphony orchestra in Litzmannstadt Ghetto, existing in Łódź in the years 1940–1944. It was the first and longestrunning camp of this type in Poland, with over 200,000 Jews from the Wartheland and Western Europe. There, the orchestra consisting of fortyfour musicians was functioning. It employed the artists associated with Łódź Symphony Orchestra before the war, and from 1941 its musicians also performed under that name. The aim of the article is to familiarise the audience with the history of Litzmannstadt Ghetto and, above all, to present the music that was heard by the imprisoned community. During World War II, the ghetto was the only place in Łódź where culture and art had any chance to develop. The musicians could legally conduct cultural activities while being subject to strict censorship of Judenrat. Teodor Ryder, a pianist, conductor, organiser and promoter of musical life, was the person responsible for the selection of the repertoire for the orchestra was. Starting from March 1941, the House of Culture, located at 3 Krawiecka Street, was its official seat. The events taking place there gathered crowds – only during the first year of the activity of the orchestra, around seventy thousand listeners were present at the concerts.
4
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Coins of the Łódź Ghetto: Production of Receipts (Scrips) in the German Nazi-Occupied Łódź (Litzmannstadt Ghetto)

63%
Zagórowski M. M., Zagórowski M. M.
Wiadomości Numizmatyczne
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2020
5
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„Bayreuthiana” jako źródło do badań nad historią drugiej wojny światowej w świetle sprawozdania urzędnika niemieckiego o getcie łódzkim jako case study

45%
Stankowski W.
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vol. 19
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issue 1
263-278
EN
Presented article describes material, source resources as Eastern Dokumentation (Ost-Dokumentation). In the light of relations deposited in the team, author presents the living conditions of Jewish community in the Litzmannstadt Ghetto during the Second World War which was reported by the one of German clerk. This report was written after the end of the war and was placed in archival collection storaged in German city named Bayreuth. From the name of this city, author has implemented a term „Bayreuthian” for archival collections which were placed in Bundesarchiv – Federal Archive in Bayreuth in Bavaria in Federal Republic of Germany. „Bayreuthiana” is the term which had been not functioning in previous times in a Polish and German historiography. Archival collections which are there located, they are rich source of information about social history, interpersonal relations, German-Polish relations during interwar period, also Second World War, and after 1945. Undoubtedly the „Bayreuthiana” in the form of written reports, they are subjective. However, they are a still specific source of information. One of this kind of report has three pages and is about ghetto in Łódź. Friedrich Prager is the author and what is more, he was a clerk of higher administrative level during war. After war he was living in Garmisch-Partenkirchen and in 1955 his report was made. In his report, he shows Litzmannstadt Ghetto, daily conditions there, daily life, and behaviors of Jewish community. He has tried to present normal living conditions of Jews and also to show functioning of different institutions such as grocery stores, pharmacies or hospitals.
PL
Prezentowany artykuł opisuje zasoby materialne, źródłowe pod nazwą Ost-Dokumentation (Dokumentacja Wschodnia). W świetle zdeponowanych w tym zespole relacji autor przedstawia warunki życia ludności żydowskiej w getcie łódzkim podczas drugiej wojny światowej w świetle zachowanego sprawozdania jednego z niemieckich urzędników. Relacja ta została spisana po zakończeniu wojny i umieszczona w zespole archiwalnym przechowywanym w niemieckim mieście Bayreuth. Od nazwy tego miasta autor wprowadził określenie „Bayreuthiana” dla zespołów archiwalnych znajdujących się w tamtejszym Bundesarchiv – Archiwum Federalnym w Bayreuth, w Bawarii, w Republice Federalnej Niemiec. „Bayreuthiana” to pojęcie niefunkcjonujące wcześniej w historiografii polskiej i niemieckiej. Zespoły archiwalne tam zdeponowane stanowią bogate źródło informacji o historii społecznej, stosunkach międzyludzkich, relacjach polsko-niemieckich w okresie międzywojennym, także w czasie drugiej wojny światowej i po 1945 r. Niewątpliwie „Bayreuthiana” w formie relacji pisemnych osób mają charakter bardzo subiektywny. Są jednak pewnym, specyficznym źródłem informacji. Jedna z takich relacji, sprawozdań liczy trzy strony i dotyczy getta łódzkiego. Autorem jest Friedrich Prager, który był urzędnikiem wyższego szczebla podczas wojny. Po wojnie osiadł w Garmisch-Partenkirchen i w 1955 r. sporządził swoją relację. W relacji przedstawia getto łódzkie, warunki w nim panujące, życie codzienne, zachowania ludności żydowskiej. Próbuje przedstawić warunki życia Żydów w getcie jako w miarę normalne, pokazując funkcjonowanie różnych instytucji, takich jak sklepy, apteki, szpitale.
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