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Andrey Zvyagintsev’s Loveless as the remediation of Mikhail Bulgakov’s The heart of a dog. Towards the question of cultural memory

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Waligórska-Olejniczak B.

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

2021

vol. 30

issue 39

183-199

The article aims to examine the relationship between two texts: Loveless (Нелюбовь, 2017), the latest of Andrey Zvyagintsev’s feature films, and The Heart of a Dog (Собачье сердце, 1925), one of Mikhail Bulgakov’s most popular short stories. The studies are focused on finding the parallels showing the work of cultural memory, which is understood – following Aleida Assmann’s and Astrid Erll’s findings – as the process of continuous remediation, retranscription and negotiation of essential ideas in the space of culture. Consequently, the author is not interested in treating Zvyagintsev’s text as the illustration of Bulgakov’s plot, but rather in discussing certain topics which are deposited in Russian literature and constantly reused and reinterpreted, creating the framework for communication across ‘the abyss of time’. The analogies between the selected texts are sought in the area of their structure, some thematic overlapping, the authors’ approach to the issue of the authoritarian ideology and the role of technology as well as in exploring the function of space as one of the narrative mechanisms, in particular in the context of the category of home and anti-home.

O praktyce opuszczeń w polskiej wersji lektorskiej filmów rosyjskojęzycznych

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Mocarz-Kleindienst M.

Acta Polono-Ruthenica

2021

vol. Tom 1 Nr XXVI

155-168

Niniejszy artykuł poświęcony został analizie porównawczej klas leksyki, podlegających opuszczeniom w polskich wersjach lektorskich dwóch filmów rosyjskich: filmu katastroficznego Metro A. Miegierdziczewa oraz dramatu Niemiłość A. Zwiagincewa. Badania ilościowe i jakościowe dowiodły, że najczęściej redukcji podlegają par-tykuły i wykrzykniki nacechowane emocjonalnie i ekspresywnie, powtórzenia, rzadziej – wulgaryzmy. Zaobserwowano różnice w częstotliwości opuszczeń adresatywów oraz formuł grzecznościowych, także zdań z prymarną funkcją informacyjną. Wysnuto wnio-sek, że różnice te wynikają z cech gatunkowych filmów i podporządkowanej im strategii tłumaczy.

This article is devoted to a comparative analysis of the lexis classes which are subject to omissions in the Polish language versions of two Russian films: Anton Megerdichev’s disaster film Metro Andrey Zvyagintsev’s drama Loveless of. Quantita-tive and qualitative research has shown that the most often reduced are the particles and exclamations characterized by emotion and expressiveness, repetitions, and, frequently, vulgarisms. Differences were observed in the frequency of omitting forms o address and courtesy as well as sentences with primary informational function. It was concluded that these differences result from the genre features of the analysed films and the translators’ strategies.

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1 Acta Polono-Ruthenica

1 Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

2 2021

1 Mocarz-Kleindienst M.

1 Waligórska-Olejniczak B.

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Andrey Zvyagintsev’s Loveless as the remediation of Mikhail Bulgakov’s The heart of a dog. Towards the question of cultural memory

O praktyce opuszczeń w polskiej wersji lektorskiej filmów rosyjskojęzycznych