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II Ogólnopolskie Seminarium Prawa Ochrony Zabytków dla młodych naukowców, doktorantów i studentów im. Profesora Jana Pruszyńskiego Lubostroń, 21-23 września 2015 r.

100%

Płażyńska K.

Ochrona Zabytków

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2015

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issue 2

255-257

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PROJEKT „PAŁUCKA GONDOLA WODNA’ – NA TRASIE ŁABISZYN - LUBOSTROŃ

71%

Bania A., Pujszo R., Szefer P.

Zeszyty Naukowe. Turystyka i Rekreacja

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2013

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issue 1(11)

PL

Projekt „Pałucka Gondola Wodna na trasie Łabiszyn – Lubostroń” jest przedsięwzięciem o charakterze technologiczno-edukacyjnym powstałym na zapotrzebowanie społeczności lokalnej oraz turystów regionu pałuckiego. Głównym celem projektu jest uruchomienie sezonowego turystycznego i edukacyjnego połączenia wodnego korytem Noteci na trasie Łabiszyn – Lubostroń. Projekt został zaprezentowany na II Kongresie Studenckich Kół Naukowych „Studenci Miastu i Regionowi” w Bydgoszczy w 2010 roku a następnie uroczyście przekazany burmistrzowi Łabiszyna.

EN

The project entitled "Pałucka Water Gondola on Łabiszyn – Lubostroń route" is a technological and educational enterprise, which has been created in response to the need of local community and tourists in Pałucki region. The main purpose of the project is to start a seasonal touristic and educational water route along the Noteć River from Łabiszyn to Lubostroń. This project was presented at the II Congress of Students' Research Circles “Students for the City and Region” in Bydgoszcz in 2010 and then formally turned over to the Mayor of Łabiszyn.

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Wystrój malarski wnętrz pałacu w Lubostroniu

70%

Bystroń-Kwiatkowska A., Warszycki A.

Ochrona Zabytków

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1981

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issue 1-2

67-71

EN

The article presents results of the first stage o f studies on the interiors o f a classicist palace at Lubostroń, one of few central structures imitating famous Villa Rotonda Andrea Palladia. The palace at Lubostroń was built for Frederich Skórzewski, one of the most outstanding representatives of the Enlightment in Great Poland. The palace was built between 1795—1806, and it was most probably at that time that the works on the décor of the interiors were completed. In the last stage o f works there operated there a team o f decorators, well-known in Great Poland, including Antoni Smuglewicz, a famous painter. He is thought to be the author o f the majority of paintings found in the palace. Repair and construction works commenced in 1976 offered an opportunity to study less known interiors o f the palace. Research works were carried out by a workshop of the conservation o f movable historic monuments in Toruń, attached to the Enterprise for the Conservation of Art. During the works which were started in the basement of the palace the interiors of the former chapel were examined. It was there that a well-preserved secondary layer depicting a stylized plant runner in the candelabrum arrangement, embraced in brown-green frames, was found. Only some parts of the original polychromy were preserved in the chapel. In the course of further studies on the ground floor no original painted works were uncovered in the former dining room. However, it was observed that in the corner parlour all plasters on the walls were exchanged in the 19th century. Only on the jambs of windows and walls there could still be seen the remains of the original painted décor in the form o f illusionistically painted profiled panels in ochre and gray against the light gray background. Slight traces o f the brown, black and red show that the interiors of panels might have held some painted compositions depicting supposingly landscape themes. Similarly, in the garden parlour situated on the entrance axis nearly all plasters were replaced with new ones, except for small parts on jambs of windows and stove orifices. Preserved fragments prove that there there also was decoration in the form o f illusionistically painted architectural framings, the shape o f which was adjusted to the size o f individual walls. Much more authentic décor o f the interior may still be seen in the palace library situated in the south-eastern comer o f the ground floor. Its circular vaulting with lunettes is covered with painted decorations depicting themes o f ancient grotesque. It was also noticed that nearly all the painting had been repainted; the colours of the original were lighter and more subtle. Also frames of the panels proved to be repainted. N o traces o f polychromy were seen in the window orifices which used to hold book-cases. The last item to be examined was a presentable staircase, on the wall o f which there is a large wall-painting with an „Egyptian“ theme, thought to be the work o f Antoni Smuglewicz. Further studies revealed that it was vastly repainted, which affected markedly its original colouring. Finally, conclusions concerning the conservation were put forward. It was suggested that the interiors examined should be restored, whereever possible, to their original wall colouring with later period layers (stucco works) being preserved.

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2 Ochrona Zabytków

1 Zeszyty Naukowe. Turystyka i Rekreacja

1 2015

1 2013

1 1981

1 Bania A.

1 Bystroń-Kwiatkowska A.

1 Pujszo R.

1 Płażyńska K.

1 Szefer P.

1 Warszycki A.

II Ogólnopolskie Seminarium Prawa Ochrony Zabytków dla młodych naukowców, doktorantów i studentów im. Profesora Jana Pruszyńskiego Lubostroń, 21-23 września 2015 r.

PROJEKT „PAŁUCKA GONDOLA WODNA’ – NA TRASIE ŁABISZYN - LUBOSTROŃ

Wystrój malarski wnętrz pałacu w Lubostroniu