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RILKE UND NIETZSCHE ODER “DIE LUST AN DER MASKE”

100%
Zelinsky B.
World Literature Studies
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2012
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vol. 4 (21)
|
issue 4
11 –23
EN
The poet Rilke and the philosopher Nietzsche have a great deal in common. They have no family, no employment, and no home and for both life and work form a whole. They are nearly exclusively preoccupied with the question of human existence. The similarities or affinities which connect the existential poet and the existential philosopher have been widely discussed. What has been neglected up to now is the fact that only Nietzsche but also Rilke attaches a lot of importance to the role and significance of the mask. That is why this essay focuses on: Rilke and Nietzsche agree on the fact that the mask is an essential and indispensable constituent of a creative personality. The poet and the philosopher create truth whatever mask they wear.
2

ANTICKÁ GENEZE DNEŠNÍCH SVÁTKŮ: IMAGINES MAIORUM A KULT PŘEDKŮ VE STAROVĚKÉM ŘÍMĚ

88%
Bartůněk J.
Muzeológia a kultúrne dedičstvo
|
2018
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vol. 6
|
issue 1
83 – 94
EN
If the museums serve, among other things, to preserve the cultural heritage of mankind, we can then see the calendar as a museum of human feasts and festivals. At least since antiquity, they have revolved around two basic principles, life (birth, regeneration, harvest, fertility…) and death. And it is the cult of worship of deceased ancestors and the associated celebrations that stand at the beginning of many celebrated festivals and tradition even today. In antiquity, the remembrance of the dead greatly varied in their forms. And one of the most visible forms was the post-mortem masks and portraits. These are today the „showcase“ of a number of world museums, showing the complexity of the funerary practices of ancient civilizations. In Rome, this phenomenon is called imagines maiorum and is an essential element in the Roman cult of ancestors.
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