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1

THE SOURCES OF MILOSZ'S ETHICS

100%
Potkanski J.
Przegląd Humanistyczny
|
2005
|
vol. 49
|
issue 1(388)
1-8
EN
Milosz's poetry is commonly perceived as the voice of a moral authority and a moralist. What was the source of his ethical knowledge which enabled him to play this double role - both declarative, communicated in the texts, as well as practical, which allowed him to become a teacher and an example to follow? The poet explained he did not advocate any special moral code, understood as a collection of instructions, nor was he able to specify his rules of conduct. Following Julia Kristeva's idea, the author is trying to show that Milosz's moralizing is an integral aspect of his poetics; not a philosophical content in a decorative form, but a practical aim of the form itself.
2

'WHO WANTS TO PAINT THE WORLD IN COLOUR'? PAINTING IN THE WORLD BY CZESLAW MILOSZ

51%
Mrugalski M.
Przegląd Humanistyczny
|
2005
|
vol. 49
|
issue 1(388)
27-45
EN
Martin Heidegger is commonly considered related to Czeslaw Milosz. The author draws conclusions from this assumption. Reading 'The World' referring to Heidegger's 'Source of a Piece of Art', he exposes an ironic tension between the poems on faith, hope and love on the one hand and the poems on pieces of art on the other. They both are contradictory. Lyrical reflections deny the philosopher's thought, while 'ekfrases' come close to Heidegger's 'Source..' - a major 20th-century work studying truth-art relations. Yet, what brings Milosz's poetry close to Heidegger's philosophy is the conflict within the poem.
3

POST-MIGRANT IDENTITY - THE CASE OF CZESLAW MILOSZ (AMONG OTHERS)

51%
Karwowska B.
Przegląd Humanistyczny
|
2005
|
vol. 49
|
issue 4(391)
1-12
EN
The article presents an analysis of post-migrant social identities of multicultural postmodern societies, and especially the identity of a writer. Various recent concepts related to creation of post-migrant identities are illustrated by examples of Polish intellectuals living abroad, especially Czeslaw Milosz. Descriptions of consecutive stages of exile also shed some new light on the situation of Milosz as a poet who transformed his personal, Polish experiences into poetry appealing to readers around the world.
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