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DVE STATE O MODERNOM DRAMATICKOM UMENÍ (VHV, IVAN LILGE LYSECKÝ)

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Hučková D.
Slovenská literatúra (Slovak Literature)
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2016
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vol. 63
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issue 6
454 – 467
EN
Although the cultural life of Slovak communities found in the territory of Hungarian Lower land quite long lacked a direct contact with dramatic culture, at the turn of the 1910s theatre and dramatic art was integral part of Slovak-language culture in Vojvodina. Theoretical reflection on modern dramatic art developed, too, which can be proven by two articles published in Národnie noviny in 1914. Both of the authors had more or less direct links with the Slovak-language Lower-land environment. Vladimír Hurban Vladimírov (1884 – 1950) from Stará Pazova, nowadays regarded as the most significant Lower-land playwright, focused in his lecture O dramatickom umení (On Dramatic Art, Národnie noviny, 18 July 1914) on the basic principles of dramatic art being applied from the earliest times to present, which he had derived from contemporary German theatre studies. His paper received an immediate response from Ivan Lilge-Lysecký (1886 - 1918), working in Báčki Petrovac for some time, whose article Dramatické umenie (Dramatic art, Národnie noviny, 30 July 1914, 4 August 1914) was intentionally specialized in modern dramatics – in this respect Lilge was the first Slovak to inform about so-called intimate theatre. Both of the papers show the contemporary - yet unaffected by war - thinking on the form and character of dramatic art, which on the one hand grew against a background of analytically oriented Naturalism and Realism, and, on the other hand, it placed weight on synthetic expression, symbol, stylistic features and a new way of depicting intimacy. At the same time, they demonstrate that modernists´ attempts were not merely poetic and prosaic, but they were also made in the area of drama, moreover they occurred in the most modern form and a close connection with European contemporary tendencies and trends.
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HISTORY AND MYTHOLOGY IN SUCHON'S OPERA KING SVATOPLUK (Historia a mytologia v Suchonovom Svatoplukovi

100%
Blahynka M.
Slovenské divadlo (Slovak Theatre)
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2010
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vol. 58
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issue 2
73-82
EN
In the opera King Svatopluk, which tells the story from the Great Moravian period, Eugen Suchon combines its historical and mythological dimension into one organic unit. Musically, he applies mainly the principles of dynamic form. The aesthetic and artistic functions are closely related to non-aesthetic and particularly ethical one. Suchon develops his modern drama about contradictory personality on the background of unified historical and mythical events.
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