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Václav Koranda ml.: O zpievaní a čtení českém tractat. Příspěvek k dějinám užívání českého jazyka v liturgii

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Batova E.

Hudební věda (Musicology)

2009

vol. 46

issue 1-2

31-57

The musicologists examining the share of liturgical chant in Czech language in the Jagellonian period often encounter the problem of lacking historical sources. Therefore it is surprising that the treatise of Vaclav Koranda the Younger, an important official of the Utraquist church in his time, has not yet been studied in detail. The authoress' study tries to square up with this; it analyses first the content of the treatise and its possible outreach to the liturgical practice, then it brings new observations on the development of liturgical chant translation into Czech made on the basis of the study of the Kolin cantional. At the end she has attached the complete edition of the Koranda‘s treatise.

HOW TO COMPOSE A MOTET FOR THE VIRGIN. JOSQUIN DES PREZ AND HIS MOTET 'ILLIBATA DEI VIRGO NUTRIX' (Jak skomponowac motet ku czci Dziewicy. Josquin des Prez i jego motet 'Illibata Dei virgo nutrix')

88%

Benthem J. v.

Muzyka

2007

vol. 52

issue 3(206)

3-30

Both by its text as by its musical setting, the motet for the Virgin, 'Illibata dei virgo nutrix', of Josquin des Prez mirrors particular fundamentals of Christian Faith, ideated by means of elements from the language of later medieval symbolism; in particular number symbolism. Totals of textlines and syllables, of letter values and number of notes stay to each other in a close connection, by which the structure of the composition as a whole symbolically represents the composer's ardent wish, that hailing the Virgin in his own musical language will be acceptable to her.

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Václav Koranda ml.: O zpievaní a čtení českém tractat. Příspěvek k dějinám užívání českého jazyka v liturgii

HOW TO COMPOSE A MOTET FOR THE VIRGIN. JOSQUIN DES PREZ AND HIS MOTET 'ILLIBATA DEI VIRGO NUTRIX' (Jak skomponowac motet ku czci Dziewicy. Josquin des Prez i jego motet 'Illibata Dei virgo nutrix')