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Marian Morelowski 1884-1963

100%
Bieniecki Z.
Ochrona Zabytków
|
1963
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issue 4
74
2
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Olga Boznańska and Marian Morelowski Read Michel Foucault

80%
Sosnowska J. M.
Ikonotheka
|
2015
|
vol. 25
219-231
EN
Michel Foucault, in his famous 1971 lecture concerning Edward Manet’s paintings, focused on three problems: the space of the painting, the lighting and the position of the viewer. At the beginning of the 1890s, i.e. at the beginning of Olga Boznańska’s creative path, the connection between the paintings of the young Polish artist and the works of Manet had already been noticed. A clear concentration on problems which Foucault pointed out in Manet was observed in her paintings precisely at this time. This fascination with Manet faded in a later period; nonetheless the infl uence of the French artist was an important experience in Boznańska’s development of her unique and individual style. Boznańska’s paintings, created under the infl uence of Manet, represent a clear stage in the development of her own creativity.
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Wileńskie ołtarze późnobarokowe

61%
Kowalczyk J.
Biuletyn Historii Sztuki
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2011
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vol. 73
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issue 3-4
359-370
EN
Wilno Late Baroque altars as a phenomenon of high artistic value have for long been of interest to the scholars. Marian Morelowski pointed to a great importance of the models from Andrea Pozzo’s treatise about shaping spatial compositions which served as the background to religious scenes. He referred this assumption to the arrangement of the set of altars in the chancel of the Jesuit Church of St. John in Wilno from the 1740s. Stanisław Lorentz has attributed this unusual architectural and spatial structure to the architect Jan Krzysztof Glaubitz. The structure of the Wilno altars was more thoroughly analyzed thanks to the precise inventory measurements carried out by the architect Piotr Bohdziewicz. According to Bohdziewicz, it is the set of altars in the Dominican Church of the Holy Spirit in Wilno from 1753-60 that is to be regarded as an outstanding example of such liturgical-theatrical composition. Moreover, he discovered the author of the set, namely the architect Franciszek Hoffer.
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